RC 388: Autumn – Everything Must Go

We say hello and wave goodbye to summer, holidays and camping , Autumn is here and so we have a autumnal podcast about change and endings with mashups from virtual camping with PDS Mix’s Mashup Summer Camp , and actual camping with music and chat relating to Jaunt 4 where I was walking along the Jurassic Coast. New music from Mark David Hadley, and new-ish shiny mashups from reconthuse, Sir Hank, DJ Giac, Marc Johnce, Vixoria Drift, DJNoNo and Titus Jones with the Will It Mash chatpod , and a tune from the new Mort Garson compilation Journey to the Moon and Beyond. Also more Nick Drake covers and focus on Jimmy Webb, the Pet Shop Boys and Elton John, 90’s trance metal covers and big beat indie remixes, Japanese Soft Cell covers and an 80’s Duckie-inspired section as Duckie goes monthly. Listen to RC 388: Autumn – Everything Must Go by Radio Clash on hearthis.at In Autumn Everything Stops For T (2:31, 211Mb) David Cain & Ronald Duncan – Autumn Manic Street Preachers – Everything Must Go (The Chemical Brothers Remix) We Hate You Please Die – Freed From Desire Vixoria Drift – I Really Like You! (Who Gives A Fuck?) lobsterdust – Bonfire Vision Titus Jones feat. The “Will It Mash” Chatpod – The Croc Days Are Over (Florence & The Machine vs. Elton John) DJNoNo – Barbra And The Jets On The Bimmelbahn (Elton John vs Buddy Poke vs Duck Sauce) Not the Nine O’Clock News – Typical, Bloody Typical Jimmy Webb – Ocean In His Eyes Elton John – Saturday Sun Sir Hank Mashup – Jump around with Big Energy (House of Pain vs. Latto) DJ Giac – West Heathens (Twenty One Pilots vs Pet Shop Boys) Pet Shop Boys – I’m Not Scared Copycat – Enjoy or leave in silence (A Copycat Mash) Salon Music – Say Hello, Wave Goodbye Fun Boy Three – Our Lips Are Sealed (Special Remix Version) Say She She – NORMA Marc Johnce – I Can See Discoproof Daisies (La Roux x Chromeo Vs. Taylor Swift Vs. Kylie Minogue Vs. Katy Perry Vs. Jessie Ware) Mort Garson – Black Eye (End Credits) Mark David Hadley – Echoes µ-ziq – Éire Doug Ashdown – Pocketful Of Keys Joni Mitchell – The Arrangement Pet Shop Boys – Invisible Fissunix – is Schubert a crime (Sade vs Thylacine) Stick in the Wheel – Parasite Lil Peep – Life Is Beautiful Cara Dillon – I Am A Youth That’s Inclined To Ramble Brown Dust – Autumn reconthuse – Summer Camp is Over (Dusty Springfield vs. ‘The Lightning Thief’ Cast vs. The Neighbourhood) Transcript WEBVTT 00:53.000 –> 00:57.000 Welcome to Radio Clash 01:08.000 –> 01:13.000 This is 388 and it’s Autumn: Everything Must Go. Yes especially those pesky leaves. 01:13.000 –> 01:16.000 Let us acknowledge that this passage constitutes a musical interlude 06:36.000 –> 06:43.000 That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996. 06:43.000 –> 06:48.000 And at the start, you heard Autumn, something I’ve had in the stack for a very long time. 06:49.000 –> 06:56.000 And that’s David Cain and Ronald Duncan from their very scary The Seasons album, 06:56.000 –> 06:58.000 a Radiophonic workshop. 07:02.000 –> 07:08.000 And yes, it is 388. I’ve come back from my hollibobs. 07:08.000 –> 07:14.000 And it is Autumn. Everything Must Go. Suddenly all the leaves must go. 07:14.000 –> 07:17.000 It’s weird. It wasn’t named that till the last minute. 07:17.000 –> 07:21.000 Either of them. Until stuff. Stuff has happened. 07:21.000 –> 07:25.000 Sometimes I have to podcast kind of as a distraction. 07:25.000 –> 07:30.000 A lot of my work is a distraction from what is going on in my life sometimes. 07:30.000 –> 07:33.000 And I have to say, this is no exception. 07:35.000 –> 07:38.000 So yes, you’re all a distraction, you are. 07:38.000 –> 07:40.000 I have to just focus on something. 07:40.000 –> 07:45.000 And I have to say that Chemical Brothers remix at the time, I didn’t really understand it. 07:45.000 –> 07:48.000 I don’t know. Maybe it’s because I hadn’t taken certain drugs then. 07:48.000 –> 07:55.000 But there is a certain schizophrenic dissociation, losing, just kind of falling into something, 07:55.000 –> 07:57.000 which I really connect with at the moment. 07:57.000 –> 08:00.000 Especially the lyric, I look to the future and it makes me cry. 08:00.000 –> 08:05.000 Because, hmm, anyway, the holiday was a success. 08:05.000 –> 08:10.000 Jaunt 4. I mean, kind of. I managed to damage my knee. 08:10.000 –> 08:16.000 I managed to stab my inflatable mattress with a pen knife accidentally on like day 2. 08:16.000 –> 08:19.000 I started out with 24 hours of rain. 08:19.000 –> 08:23.000 And I walked through lots of cow shit. 08:23.000 –> 08:25.000 And in the end, I just wanted to get it done. 08:25.000 –> 08:27.000 There was something else and I’ve forgotten it now. 08:27.000 –> 08:30.000 There’s three major events in it. 08:30.000 –> 08:32.000 Everything’s going wrong. 08:32.000 –> 08:34.000 But it’s done now. 08:34.000 –> 08:39.000 I’ve now walked the whole of the Jurassic Coast from Swanage to Exmouth. 08:39.000 –> 08:41.000 I’m not usually sure why. 08:41.000 –> 08:44.000 I’ve done quite a bit of artwork. I’ll blog about it. 08:44.000 –> 08:49.000 But yeah, I don’t expect one of those for a long time, unfortunately. 08:49.000 –> 08:52.000 And the song, when I was just thriving at Exmouth. 08:52.000 –> 08:55.000 And weirdly, I didn’t listen to a lot of music on that trip. 08:55.000 –> 08:58.000 I did a lot of walking. I did like 21 miles in one day. 08:58.000 –> 09:00.000 I worked out. 09:00.000 –> 09:03.000 I usually do that, working out how much I walk. 09:03.000 –> 09:05.000 Because it’s not going to rain, right? 09:05.000 –> 09:11.000 But that was the day when they were going to close the ranges at Lulworth for like a week. 09:11.000 –> 09:16.000 And so I wanted to get all my stuff done for that area around Tyneham. 09:16.000 –> 09:21.000 But yeah, as I came down the steps from the cliffs at Exmouth, 09:21.000 –> 09:26.000 which is my own destination, strangely, I mean, it was kind of getting evening. 09:26.000 –> 09:29.000 But there was a bunch of people doing kind of Zumba or something. 09:29.000 –> 09:34.000 It was some kind of exercising with kettlebells, but it’s kind of aerobic Zumba type of things. 09:34.000 –> 09:40.000 And the song they were playing was Freed from Desire, the 90s trance hit, 09:40.000 –> 09:43.000 which was a really strange thing to come down to. 09:43.000 –> 09:45.000 I was literally coming down to it. 09:45.000 –> 09:48.000 And listening to the lyrics is kind of very appropriate, 09:48.000 –> 09:53.000 because I was freed from my desire to walk the Jurassic coast at that very moment. 09:53.000 –> 09:57.000 And so here’s a very strange rock cover of it. 38:26.000 –> 38:36.000 That was Elton John covering Nick Drake, which, I mean, Elton John doesn’t do many covers anyway, but that’s from a Warlock sampler. 38:36.000 –> 38:41.000 Pre-fame, he did a whole load of songs for a record label. 38:41.000 –> 38:47.000 So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people. 38:48.000 –> 38:51.000 John Martin, I think, is on there as well, I think. There’s a few people. 38:51.000 –> 38:58.000 It’s got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing. 38:58.000 –> 39:04.000 And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records. 39:04.000 –> 39:11.000 One was his white album signed personally from The Beatles, and the other one was that record. 39:11.000 –> 39:17.000 And because it’s so rare, it’s like a hundred, it’s been bootlegged, but there’s like a hundred only ever pressed. 39:17.000 –> 39:20.000 But it goes to show you, I think he likes that record. 39:20.000 –> 39:25.000 But it’s never had official release, so we might get into trouble for playing that. 39:25.000 –> 39:27.000 Do I care? Not really. 39:27.000 –> 39:30.000 Then before that, we had Jimmy Webb. 39:30.000 –> 39:35.000 I’ve been on another Jimmy Webb kick. I have to blame Rick Beato for that. 39:35.000 –> 39:41.000 I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think. 39:41.000 –> 39:51.000 Really good interview, too short. It’s only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is. 39:51.000 –> 39:56.000 And that’s from his mid-70s solo career. 39:56.000 –> 40:00.000 Of course, the date is wrong. That’s from a compilation. 40:00.000 –> 40:04.000 But he did an album about gliding, I think, really. He was really into his gliding. 40:04.000 –> 40:07.000 Apparently, after he did up, up and away, he really got into gliding. 40:07.000 –> 40:11.000 So there’s a picture of him gliding on the front cover, and that’s ocean in his eyes. 40:11.000 –> 40:13.000 It mentions things like kites. 40:13.000 –> 40:17.000 There’s sort of a brilliant theme throughout of flight and things like that. 40:17.000 –> 40:23.000 And then before that, we had from the 1980s, Typical, Bloody Typical, I think it’s 81 or 82. 40:23.000 –> 40:27.000 Quite the end of the Not The 9 O’clock News era. 40:27.000 –> 40:32.000 That was quite a bug as you get because it isn’t officially released, but it’s on an Audible thing. 40:32.000 –> 40:35.000 So I had to go through fun trying to convert it. 40:35.000 –> 40:41.000 Obviously, it’s a pisstake of Olivia Newton-John, rest in peace. 40:41.000 –> 40:46.000 But I was singing that while I was on holiday. I was singing it all the time. 40:46.000 –> 40:48.000 Typical, bloody typical. 40:48.000 –> 40:52.000 Because I mean, I forgot the other thing as well. I got attacked by dogs. 40:52.000 –> 40:55.000 So yeah, there was about three things that happened on holiday. 40:55.000 –> 40:59.000 It got to a point where I was like, there’s one more fucking thing I’m going home. 40:59.000 –> 41:01.000 Luckily there wasn’t, but yeah. 41:01.000 –> 41:05.000 Probably the reason why it sort of just sort of, I raced to finish it. 41:05.000 –> 41:09.000 I might go back to the era I did like it, what I saw, the bit I saw of Xmas. 41:09.000 –> 41:14.000 I love Sidmus, so I might go back, but not for a long while. 41:14.000 –> 41:20.000 And then before the nOt The 9 O’clock News, that was Pamela Stephenson on the vocals. 41:20.000 –> 41:27.000 And then before that, we had a new DJNoNo, that’s Barbara and the Jets on the Bimmelbahn. 41:27.000 –> 41:29.000 Bimmelbahn, yeah. 41:29.000 –> 41:34.000 It’s a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce. 41:34.000 –> 41:40.000 Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M. 41:40.000 –> 41:44.000 Boney M used the vocal riff and basically the whole of the backing track. 41:44.000 –> 41:46.000 They just change the lyrics. 41:46.000 –> 41:51.000 The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about… 41:51.000 –> 41:57.000 Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road. 41:57.000 –> 42:01.000 I was saying Land Train and Road Train, but they’re kind of big trucks. 42:01.000 –> 42:04.000 No, it’s one of those little things you see in theme parks. 42:04.000 –> 42:07.000 And it’s about someone’s lover leaving on one. 42:07.000 –> 42:11.000 And the lyrics are quite sad, but it’s weird. 42:11.000 –> 42:13.000 It’s not exactly Leaving On A Jet Plane. 42:13.000 –> 42:18.000 So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce. 42:19.000 –> 42:22.000 And it seemed to work really well with Bennie and the Jets. 42:22.000 –> 42:29.000 And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn? 42:29.000 –> 42:31.000 Yes. 42:31.000 –> 42:34.000 And it is kind of inspired. 42:34.000 –> 42:37.000 I think when I was playing it there, I was like, actually it probably is. 42:37.000 –> 42:43.000 It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod. 42:43.000 –> 42:45.000 I might have helped. 42:45.000 –> 42:49.000 The croc days are over. Florence and the Machine versus Elton John. 42:49.000 –> 42:51.000 I think I suggested the Florence and the Machine. 42:51.000 –> 42:53.000 And also I said, hasn’t that been done before? 42:53.000 –> 42:55.000 And then Titus tried it. 42:55.000 –> 42:58.000 It was like, result, keep that. That’s brilliant. 42:58.000 –> 43:00.000 And so hence why it’s credited to the Will It Mash chat pod. 43:00.000 –> 43:03.000 He usually doesn’t do those, but you could hear that was such a good song. 43:03.000 –> 43:04.000 So I was like, yes. 43:04.000 –> 43:05.000 Hence the quack. 43:05.000 –> 43:10.000 You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod. 43:10.000 –> 43:14.000 The Will It Mash being a Twitch channel where he mashes up live on stream. 43:14.000 –> 43:16.000 I’m a regular on there. 43:16.000 –> 43:17.000 Quack. 43:17.000 –> 43:19.000 And yeah, that was going to be Elton John section. 43:19.000 –> 43:20.000 I don’t play enough Elton John. 43:20.000 –> 43:23.000 I play bits on mashups. 43:23.000 –> 43:26.000 Elton John mostly has passed me by. 43:26.000 –> 43:27.000 I don’t know why. 43:27.000 –> 43:29.000 Maybe because I never really liked Tiny Dancer. 43:29.000 –> 43:31.000 I’m not sure. 43:31.000 –> 43:35.000 Then before that, we had Lobsterdust with Bonfire Vision. 43:35.000 –> 43:39.000 I’m not exactly sure it’s Childish Gambino versus something. 43:39.000 –> 43:42.000 And I can’t remember exactly what the dubstep is. 43:42.000 –> 43:47.000 But yeah, I think I heard that or a version with Bonfire. 43:47.000 –> 43:48.000 I think it was a version with Bonfire. 43:48.000 –> 43:52.000 But I think I heard that on the PDSMix’s summer camp, which is just finished. 43:52.000 –> 43:54.000 Because it mentions a bit about summer camp. 43:54.000 –> 43:57.000 I think someone did a mash with it and then they played that one. 43:57.000 –> 43:58.000 Or I found it via that. 43:58.000 –> 44:01.000 I was looking for mashups using the Bonfire vocal. 44:01.000 –> 44:02.000 I just love that. 44:02.000 –> 44:06.000 I’m going to burn everything you talk about. 44:06.000 –> 44:08.000 Yes, I like the anger of that. 44:08.000 –> 44:10.000 Then before that, similarly angry. 44:10.000 –> 44:13.000 We have Vixoria Drift with I really like you. 44:13.000 –> 44:14.000 Who gives a fuck? 44:14.000 –> 44:21.000 A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae, 44:21.000 –> 44:24.000 and sort of a cast of millions. 44:24.000 –> 44:27.000 I forgot somewhere else that was also in there. 44:27.000 –> 44:30.000 But yeah, it’s a whole bunch of things. 44:30.000 –> 44:33.000 And that’s from the new ish album, Vivid. 44:33.000 –> 44:36.000 It’s really difficult to do multi-layered. 44:36.000 –> 44:41.000 So to multi-mash well in a way that it flows in a narrative. 44:41.000 –> 44:44.000 And it’s something I’ve been working on when I do my mashups. 44:44.000 –> 44:45.000 It’s not all of them. 44:45.000 –> 44:49.000 It’s one I threw out just before I left on holiday, which was a bit like, 44:49.000 –> 44:54.000 but usually I try and work on that flow between the interplay. 44:54.000 –> 44:58.000 And a lot of multi-mashes fail on that. 44:58.000 –> 44:59.000 They just sound like a medley. 44:59.000 –> 45:03.000 And what I like about that one is that does have that interplay where things 45:03.000 –> 45:04.000 seem to relate to each other. 45:04.000 –> 45:07.000 And they’re not suddenly just switching to one thing. 45:07.000 –> 45:10.000 It seems like a cohesive flow. 45:10.000 –> 45:14.000 And there’s a couple of tracks on the album, which are like that. 45:14.000 –> 45:18.000 Whereas I thought the passages, there was far too much switching. 45:18.000 –> 45:20.000 It sort of switched back and forth. 45:20.000 –> 45:22.000 And it was a bit like, I’d be ready to gain something and going, 45:22.000 –> 45:23.000 oh, that’s really good. 45:23.000 –> 45:25.000 And then they just switch. 45:25.000 –> 45:27.000 Whereas this, it feels like it’s sort of callbacks. 45:27.000 –> 45:30.000 And it doesn’t feel like you just suddenly switch the channel and, 45:30.000 –> 45:31.000 oh, you know, bad luck. 45:31.000 –> 45:32.000 That’s gone. 45:32.000 –> 45:34.000 And then, you know, a little bit, rather than, you know, 45:34.000 –> 45:39.000 but then main, there’s main bits of lamb and golden and whitewish, 45:39.000 –> 45:43.000 nightwish and color A Jepsen and a little bit of Gaga and a little bit of this. 45:43.000 –> 45:49.000 I think that works better than trying to do the sort of Mighty Mike, 45:49.000 –> 45:53.000 Norwegian Recycling thing of you can set your clock by every 10, 45:53.000 –> 45:56.000 20 seconds, switch to another diva, switch to another diva, switch to another diva, 45:56.000 –> 45:58.000 that I’m not a fan of. 45:58.000 –> 46:00.000 And it’s really difficult. 46:00.000 –> 46:03.000 Earworm was very good at it. 46:03.000 –> 46:06.000 Girl Talk wasn’t. 46:06.000 –> 46:08.000 So it’s not an easy thing to do. 46:08.000 –> 46:10.000 And I really think that album is a step forward. 46:10.000 –> 46:12.000 That’s a good idea. 46:12.000 –> 46:15.000 Before that, we had Freed from Desire, 46:15.000 –> 46:18.000 Gala cover from We Hate You, Please Die, 46:18.000 –> 46:20.000 which is a brilliant name for a band. 46:20.000 –> 46:22.000 When was that from? 46:22.000 –> 46:23.000 2020. 46:23.000 –> 46:25.000 I think I found that on there. 46:25.000 –> 46:29.000 Yeah, it was a bunch of COVID related, anti-COVID covers, 46:29.000 –> 46:32.000 Six Sad World, Vol 1 is on Bandcamp. 46:32.000 –> 46:36.000 I was looking for Freed from Desire covers and I found that went perfect. 46:36.000 –> 46:37.000 Yeah. 46:37.000 –> 46:41.000 And I think that Lobsterdust is from 2011, although it’s dated 2021, 46:41.000 –> 46:43.000 but it’s as Extraterrestrial 2011. 46:43.000 –> 46:46.000 So I don’t know when the childish Gambino came out. 46:46.000 –> 46:48.000 It’s not that new, but who knows? 46:48.000 –> 46:50.000 Who knows? 46:50.000 –> 46:53.000 So we’re going to play some more mashups. 46:53.000 –> 46:54.000 Whoa. 46:54.000 –> 46:55.000 I know, right? 46:55.000 –> 47:00.000 And this is by someone digging a lot recently. 47:00.000 –> 47:02.000 That’s Sir Hank. 47:02.000 –> 47:04.000 And this is Jump Around with Big Energy. 47:04.000 –> 47:05.000 And I didn’t know. 47:05.000 –> 47:08.000 It’s one of those cases where I didn’t really know the vocal. 47:08.000 –> 47:11.000 And I heard it and went, oh, that’s perfect. 47:11.000 –> 47:13.000 That is absolutely perfect. 47:13.000 –> 47:16.000 You know, it’s like the combination of the two things, 47:16.000 –> 47:19.000 because there’s been so many Jump Around mashups, 47:19.000 –> 47:23.000 but not, not, not like this. 01:25:43.000 –> 01:25:45.000 Finally 01:25:45.000 –> 01:25:47.000 I have been 01:25:47.000 –> 01:25:49.000 looking for a track from 01:25:49.000 –> 01:25:51.000 Black Eye, another track 01:25:51.000 –> 01:25:53.000 but there was an instrumental 01:25:53.000 –> 01:25:55.000 sort of theme released by Mort Garson 01:25:55.000 –> 01:25:57.000 on a compilation a long 01:25:57.000 –> 01:25:59.000 time ago. I was like I couldn’t believe that 01:25:59.000 –> 01:26:01.000 a film scored by Mort Garson and was only 01:26:01.000 –> 01:26:03.000 one tune 01:26:03.000 –> 01:26:05.000 and finally 01:26:05.000 –> 01:26:07.000 on the journey to the moon 01:26:07.000 –> 01:26:09.000 and beyond was released very recently 01:26:09.000 –> 01:26:11.000 I think it was just a few months ago 01:26:11.000 –> 01:26:13.000 or a month ago. We have Black Eye 01:26:13.000 –> 01:26:15.000 end credits because I think the other one 01:26:15.000 –> 01:26:17.000 was like in maybe the intro 01:26:17.000 –> 01:26:19.000 theme. I just knew 01:26:19.000 –> 01:26:21.000 I’ve been searching for it for years. I was like 01:26:21.000 –> 01:26:23.000 Mort Garson and Black Eye on Soulseek 01:26:23.000 –> 01:26:25.000 yes I do still use Soulseek 01:26:25.000 –> 01:26:27.000 and that just popped up and went 01:26:27.000 –> 01:26:29.000 what what we’ve actually got a Black Eye 01:26:29.000 –> 01:26:31.000 you know not the 01:26:31.000 –> 01:26:33.000 just the one that was excellent 01:26:33.000 –> 01:26:35.000 and I do recommend the journey to the moon 01:26:35.000 –> 01:26:37.000 and beyond. There’s the NASA 01:26:37.000 –> 01:26:39.000 he did the official 01:26:39.000 –> 01:26:41.000 music to this 01:26:41.000 –> 01:26:43.000 moon landing 01:26:43.000 –> 01:26:45.000 and there’s various other things on there 01:26:45.000 –> 01:26:47.000 but yes it’s a bit of a mixed bag as it always 01:26:47.000 –> 01:26:49.000 is with Mort Garson 01:26:49.000 –> 01:26:51.000 but that was worth it alone 01:26:51.000 –> 01:26:53.000 just for that. That was beautiful. Soulful 01:26:53.000 –> 01:26:55.000 and kind of like almost 01:26:55.000 –> 01:26:57.000 disco. I mean there was a disco section 01:26:57.000 –> 01:26:59.000 it’s kind of a good way to end a disco section 01:26:59.000 –> 01:27:01.000 though what was before was Marc 01:27:01.000 –> 01:27:03.000 Johnce with I Can See Discoproof 01:27:03.000 –> 01:27:05.000 Daisies that was released literally a day 01:27:05.000 –> 01:27:07.000 or so ago or a couple 01:27:07.000 –> 01:27:09.000 days ago. It’s very new 01:27:09.000 –> 01:27:11.000 new shit that’s LaRoux 01:27:11.000 –> 01:27:13.000 Bulletproof versus Chromeo 01:27:13.000 –> 01:27:15.000 versus Taylor Swift versus Kylie Minogue 01:27:15.000 –> 01:27:17.000 a bit Tension in there. I’ve not listened to 01:27:17.000 –> 01:27:19.000 tension but I’ve been hearing all the queens going 01:27:19.000 –> 01:27:21.000 on about it so I need to listen to Tension 01:27:21.000 –> 01:27:23.000 Katy Perry’s 01:27:23.000 –> 01:27:25.000 Daisies and Jesse Ware 01:27:25.000 –> 01:27:27.000 I’m not sure what the Jesse Ware is but I love the 01:27:27.000 –> 01:27:29.000 Katy Perry’s Daisies. The question is where’s the magic 01:27:29.000 –> 01:27:31.000 gone and why did we put all our 01:27:31.000 –> 01:27:33.000 dreams in the attic. Yes 01:27:33.000 –> 01:27:35.000 and then before that we had 01:27:35.000 –> 01:27:37.000 I mean you can’t have a disco section without Say 01:27:37.000 –> 01:27:39.000 She She that’s NORMA 01:27:39.000 –> 01:27:41.000 which was their response to 01:27:41.000 –> 01:27:43.000 the 01:27:43.000 –> 01:27:45.000 rolling back of the abortion laws 01:27:45.000 –> 01:27:47.000 in America. Obviously Norma 01:27:47.000 –> 01:27:49.000 is referencing Jane Roe 01:27:49.000 –> 01:27:51.000 who was Norma McCorvey 01:27:51.000 –> 01:27:53.000 who was the 01:27:53.000 –> 01:27:55.000 Jane Roe in Roe versus Wade 01:27:55.000 –> 01:27:57.000 and so as they called it 01:27:57.000 –> 01:27:59.000 Norma in capitals but it’s 01:27:59.000 –> 01:28:01.000 a good song of resistance anyway 01:28:01.000 –> 01:28:03.000 but yeah it’d be fucked at the moment 01:28:03.000 –> 01:28:05.000 and things need to change 01:28:05.000 –> 01:28:07.000 I’ve been locking horns 01:28:07.000 –> 01:28:09.000 with the Gender Critical lot 01:28:09.000 –> 01:28:11.000 on Bluesky of all places 01:28:11.000 –> 01:28:13.000 I mean they’re on Twitter, you expect that 01:28:13.000 –> 01:28:15.000 to come on Twitter but 01:28:15.000 –> 01:28:17.000 they’re on Bluesky and putting out 01:28:17.000 –> 01:28:19.000 their dumb people are going to rape you in the 01:28:19.000 –> 01:28:21.000 toilets type stuff and you’re like oh for fuck’s sake 01:28:21.000 –> 01:28:23.000 there’s a 01:28:23.000 –> 01:28:25.000 really good video series which I’ve posted on 01:28:25.000 –> 01:28:27.000 RadioClash.com by Caelan Conrad 01:28:27.000 –> 01:28:29.000 which kind of a long 01:28:29.000 –> 01:28:31.000 time ago I posted an alt-right 01:28:31.000 –> 01:28:33.000 playbook video series 01:28:33.000 –> 01:28:35.000 where they go through 01:28:35.000 –> 01:28:37.000 you know this is what they do, this is the tactics 01:28:37.000 –> 01:28:39.000 this is the strategy, this is the scripts 01:28:39.000 –> 01:28:41.000 here we are, same thing 01:28:41.000 –> 01:28:43.000 very useful, I would really recommend 01:28:43.000 –> 01:28:45.000 it’s five hours, it’s long 01:28:45.000 –> 01:28:47.000 but I think it’d be a, horrified and be 01:28:47.000 –> 01:28:49.000 very much informed into 01:28:49.000 –> 01:28:51.000 what they’re trying to do 01:28:51.000 –> 01:28:53.000 to ‘peak’ you as in that’s their word 01:28:53.000 –> 01:28:55.000 for redpilling you 01:28:55.000 –> 01:28:57.000 make people into 01:28:57.000 –> 01:28:59.000 bring them into their cult 01:28:59.000 –> 01:29:01.000 and it is really, I mean 01:29:01.000 –> 01:29:03.000 is it really a cult? No it is 01:29:03.000 –> 01:29:05.000 the person who deep dived it called it a cult 01:29:05.000 –> 01:29:07.000 and you see his information 01:29:07.000 –> 01:29:09.000 and all the receipts and all the screenshots 01:29:09.000 –> 01:29:11.000 and also when you go yeah that’s pretty culty 01:29:11.000 –> 01:29:13.000 so yeah it’s not 01:29:13.000 –> 01:29:15.000 necessarily what it seems 01:29:15.000 –> 01:29:17.000 all this sort of ‘concerned about women’ 01:29:17.000 –> 01:29:19.000 their misogynists and 01:29:19.000 –> 01:29:21.000 hemophobes and transphobes and the whole lot 01:29:21.000 –> 01:29:23.000 and racists and ableists and all 01:29:23.000 –> 01:29:25.000 the whole lot of shit 01:29:25.000 –> 01:29:27.000 yes 01:29:27.000 –> 01:29:29.000 I try and do my public service 01:29:29.000 –> 01:29:31.000 by you know facing up on stuff like that 01:29:31.000 –> 01:29:33.000 because it’s an unending battle 01:29:33.000 –> 01:29:35.000 but interesting thing 01:29:35.000 –> 01:29:37.000 was is that the person just went off on me 01:29:37.000 –> 01:29:39.000 and looked truly bad 01:29:39.000 –> 01:29:41.000 which is great 01:29:41.000 –> 01:29:43.000 usually I’m the bad one for that 01:29:43.000 –> 01:29:45.000 so I’m wary of doing it because I’m like 01:29:45.000 –> 01:29:47.000 oh yeah 01:29:47.000 –> 01:29:49.000 you don’t want to kind of be able to point to you 01:29:49.000 –> 01:29:51.000 and go oh look look that’s a classic 01:29:51.000 –> 01:29:53.000 trans rights activist 01:29:53.000 –> 01:29:55.000 there we are, we can see them 01:29:55.000 –> 01:29:57.000 they just get really annoyed 01:29:57.000 –> 01:29:59.000 because I was a calm one and they’re the one who pulled out the ad homs 01:29:59.000 –> 01:30:01.000 and stuff and they’re like I win, bye 01:30:01.000 –> 01:30:03.000 I was being civil 01:30:03.000 –> 01:30:05.000 you’re a dick 01:30:05.000 –> 01:30:07.000 and you’re probably a sock puppet as well 01:30:07.000 –> 01:30:09.000 I’m pretty sure you’re not who you say you are 01:30:09.000 –> 01:30:11.000 but you know it’s so funny 01:30:11.000 –> 01:30:13.000 that we’re complaining about people masking up 01:30:13.000 –> 01:30:15.000 and they just had some random pictures 01:30:15.000 –> 01:30:17.000 of probably Antifa 01:30:17.000 –> 01:30:19.000 I think 01:30:19.000 –> 01:30:21.000 oh look at these trans rights activists hiding their face 01:30:21.000 –> 01:30:23.000 and of course on their profile no face 01:30:23.000 –> 01:30:25.000 no public information 01:30:25.000 –> 01:30:27.000 like I think you are a probably 01:30:27.000 –> 01:30:29.000 a Russian sock puppet 01:30:29.000 –> 01:30:31.000 say hi to Putin 01:30:31.000 –> 01:30:33.000 yeah 01:30:33.000 –> 01:30:35.000 and before that 01:30:35.000 –> 01:30:37.000 we had Fumboy3, Our Lips Are Sealed 01:30:37.000 –> 01:30:39.000 we had a special remix version 01:30:39.000 –> 01:30:41.000 with all the kiss from an enemy bits 01:30:41.000 –> 01:30:43.000 like was that Neville? 01:30:43.000 –> 01:30:45.000 and that’s played because I went to Duckie 01:30:45.000 –> 01:30:47.000 I went to the last Duckie 01:30:47.000 –> 01:30:49.000 the last weekly Duckie 01:30:49.000 –> 01:30:51.000 ever I think 01:30:51.000 –> 01:30:53.000 they’ve stopped doing the weekly things 01:30:53.000 –> 01:30:55.000 and they’ve now gone to monthly 01:30:55.000 –> 01:30:57.000 which is kind of an end of their era 01:30:57.000 –> 01:30:59.000 and they ended on the track before 01:30:59.000 –> 01:31:01.000 though not that version 01:31:01.000 –> 01:31:03.000 they ended on sOft Cell’s Say Hello Wave Goodbye 01:31:03.000 –> 01:31:05.000 but also they played Our Lips Are Sealed 01:31:05.000 –> 01:31:07.000 and that is a 01:31:07.000 –> 01:31:09.000 for me listening to the lyrics 01:31:09.000 –> 01:31:11.000 I love the lyrics 01:31:11.000 –> 01:31:13.000 ‘there is a weapon to our defence silence’ 01:31:13.000 –> 01:31:15.000 and there I go to Duckie 01:31:15.000 –> 01:31:17.000 and I don’t really speak to anyone 01:31:17.000 –> 01:31:19.000 I just dance 01:31:19.000 –> 01:31:21.000 I try and have a good time 01:31:21.000 –> 01:31:23.000 and it’s slightly weird 01:31:23.000 –> 01:31:25.000 I had a good conversation afterwards 01:31:25.000 –> 01:31:27.000 with an Irish bear actually 01:31:27.000 –> 01:31:29.000 weirdly in the park 01:31:29.000 –> 01:31:31.000 but yeah 01:31:31.000 –> 01:31:33.000 the way it is with that place 01:31:33.000 –> 01:31:35.000 and not really fitting in 01:31:35.000 –> 01:31:37.000 but then kind of that is a power 01:31:37.000 –> 01:31:39.000 in a way as well 01:31:39.000 –> 01:31:41.000 and then before that we had Salon Music 01:31:41.000 –> 01:31:43.000 with Say Hello Wave Goodbye 01:31:43.000 –> 01:31:45.000 and yes 01:31:45.000 –> 01:31:47.000 that is Sparks in there 01:31:47.000 –> 01:31:49.000 around 1988 they visited Japan 01:31:49.000 –> 01:31:51.000 and we were fans of Salon Music 01:31:51.000 –> 01:31:53.000 cut from the album O Boy 01:31:53.000 –> 01:31:55.000 and they did that cover 01:31:55.000 –> 01:31:57.000 and they appear in the middle of it 01:31:57.000 –> 01:31:59.000 but Salon were more 01:31:59.000 –> 01:32:01.000 kind of shoegazy 01:32:01.000 –> 01:32:03.000 I would say shoegazy rock 01:32:03.000 –> 01:32:05.000 that’s a little bit pop for them 01:32:05.000 –> 01:32:07.000 but I like it a lot 01:32:07.000 –> 01:32:09.000 then before that we had an old remix 01:32:09.000 –> 01:32:11.000 that’s from 2007 01:32:11.000 –> 01:32:13.000 that’s Copycat with Enjoy or Leave in Silence 01:32:13.000 –> 01:32:15.000 it’s a Depeche Mode vs Depeche Mode mashup 01:32:15.000 –> 01:32:17.000 but you don’t get anyone 01:32:17.000 –> 01:32:19.000 doing mashups of Leave in Silence 01:32:19.000 –> 01:32:21.000 so I’m playing it 01:32:21.000 –> 01:32:23.000 because I mean there was a whole 80’s section there 01:32:23.000 –> 01:32:25.000 a random 80’s section 01:32:25.000 –> 01:32:27.000 but yeah you just 01:32:27.000 –> 01:32:29.000 you get loads of Enjoy the Silence 01:32:29.000 –> 01:32:31.000 and no Leave In Silence mashups 01:32:31.000 –> 01:32:33.000 even though it’s a perfect thing 01:32:33.000 –> 01:32:35.000 yeah to sort of mash the two together 01:32:35.000 –> 01:32:37.000 but also why does everyone mash 01:32:37.000 –> 01:32:39.000 Personal Jesus 01:32:39.000 –> 01:32:41.000 Enjoy the Silence 01:32:41.000 –> 01:32:43.000 usually just enjoy the Silence actually 01:32:43.000 –> 01:32:45.000 and maybe Just Can’t Get Enough 01:32:45.000 –> 01:32:47.000 it’s kind of annoying as a Depeche Mode fan 01:32:47.000 –> 01:32:49.000 that people don’t mash other songs so much 01:32:49.000 –> 01:32:51.000 a few people do 01:32:51.000 –> 01:32:53.000 you know who you are 01:32:53.000 –> 01:32:55.000 but not so many general mashups 01:32:55.000 –> 01:32:57.000 which is a bit sad 01:32:57.000 –> 01:32:59.000 and when a new album comes out 01:32:59.000 –> 01:33:01.000 there’s a few of those 01:33:01.000 –> 01:33:03.000 but yeah it’s always kind of the same 01:33:03.000 –> 01:33:05.000 3, 2, 3 Personal Jesus, Enjoy the Silence 01:33:05.000 –> 01:33:07.000 Just Can’t Get Enough 01:33:07.000 –> 01:33:09.000 so it’s nice to hear 01:33:09.000 –> 01:33:11.000 a rarely mashed song 01:33:11.000 –> 01:33:13.000 and very strange I have to say 01:33:13.000 –> 01:33:15.000 it’s kind of a bit of a remix 01:33:15.000 –> 01:33:17.000 and some very strange off beats in there 01:33:17.000 –> 01:33:19.000 it was an interesting one to mix 01:33:19.000 –> 01:33:21.000 then before that 01:33:21.000 –> 01:33:23.000 we had Pet Shop Boys I’m Not Scared 01:33:23.000 –> 01:33:25.000 from Introspective 01:33:25.000 –> 01:33:27.000 1968 which is their 01:33:27.000 –> 01:33:29.000 version of the 01:33:29.000 –> 01:33:31.000 Patsy Kensit 8th Wonder 01:33:31.000 –> 01:33:33.000 hit and I actually prefer 01:33:33.000 –> 01:33:35.000 it very much sums up the time 01:33:35.000 –> 01:33:37.000 they’ve got these 1968 01:33:37.000 –> 01:33:39.000 sort of French student protests 01:33:39.000 –> 01:33:41.000 in there and 01:33:41.000 –> 01:33:43.000 yeah I went on a Pet Shop Boys kick 01:33:43.000 –> 01:33:45.000 and you’ll hear some more Pet Shop Boys in a little bit 01:33:45.000 –> 01:33:47.000 I’m not sure why 01:33:47.000 –> 01:33:49.000 it’s kind of just 01:33:49.000 –> 01:33:51.000 regularly do that 01:33:51.000 –> 01:33:53.000 check out what they’re up to 01:33:53.000 –> 01:33:55.000 stuff is, what the older stuff is 01:33:55.000 –> 01:33:57.000 and I was like I haven’t played 01:33:57.000 –> 01:33:59.000 I’m Not Scared by Pet Shop Boys in the podcast 01:33:59.000 –> 01:34:01.000 I was like why, why? 01:34:01.000 –> 01:34:03.000 it is one of my favourite songs of all time 01:34:03.000 –> 01:34:05.000 and then before that 01:34:05.000 –> 01:34:07.000 we had DJ Giac with West Heathens 01:34:07.000 –> 01:34:09.000 Twenty One Pilots vs Pet Shop Boys 01:34:09.000 –> 01:34:11.000 that’s the 01:34:11.000 –> 01:34:13.000 special slow down version 01:34:13.000 –> 01:34:15.000 of Pet Shop Boys 01:34:15.000 –> 01:34:17.000 by the Shanti Capturing the Light 01:34:17.000 –> 01:34:19.000 of Down Remix I looked it up 01:34:19.000 –> 01:34:21.000 on Remix.audio 01:34:21.000 –> 01:34:23.000 and that sort of slow groove 01:34:23.000 –> 01:34:25.000 and then at the start we had 01:34:25.000 –> 01:34:27.000 again a sort of an 80s thing 01:34:27.000 –> 01:34:29.000 because although 01:34:29.000 –> 01:34:31.000 House of Pain vs Latto doesn’t sound very 80s 01:34:31.000 –> 01:34:33.000 Latto sampled Tom Tom Club 01:34:33.000 –> 01:34:35.000 more than sampled like Interpolated 01:34:35.000 –> 01:34:37.000 did a whole vocal thing with it 01:34:37.000 –> 01:34:39.000 Big Dick Energy 01:34:39.000 –> 01:34:41.000 although I think that’s the polite version 01:34:41.000 –> 01:34:43.000 Big Big Energy 01:34:43.000 –> 01:34:45.000 and as she explained Big Dick Energy 01:34:45.000 –> 01:34:47.000 is for everyone 01:34:47.000 –> 01:34:49.000 not necessarily those with dicks 01:34:49.000 –> 01:34:51.000 but I kind of 01:34:51.000 –> 01:34:53.000 I wouldn’t say I didn’t know that track 01:34:53.000 –> 01:34:55.000 I kind of came across it at some point 01:34:55.000 –> 01:34:57.000 but I’ve forgotten about it 01:34:57.000 –> 01:34:59.000 and it works so well with 01:34:59.000 –> 01:35:01.000 House of Pain Jump Around 01:35:01.000 –> 01:35:03.000 Jump Around with Big Dick Energy 01:35:03.000 –> 01:35:05.000 yes 01:35:05.000 –> 01:35:07.000 jump around with Big Dick Energy 01:35:07.000 –> 01:35:09.000 but that’s the G-rated version 01:35:09.000 –> 01:35:11.000 so I’m going to go more 01:35:11.000 –> 01:35:13.000 into a track, a new track 01:35:13.000 –> 01:35:15.000 by Mark 01:35:15.000 –> 01:35:17.000 David Hadley 01:35:17.000 –> 01:35:19.000 all of them out, you can find it on 01:35:19.000 –> 01:35:21.000 Bandcamp 01:35:21.000 –> 01:35:23.000 is it Sound by Mark, I think it’s called 01:35:23.000 –> 01:35:25.000 yeah soundbymark 01:35:25.000 –> 01:35:27.000 on Bandcamp.com 01:35:27.000 –> 01:35:29.000 and it’s a new album called Through Trains 01:35:29.000 –> 01:35:31.000 although interestingly the one 01:35:31.000 –> 01:35:33.000 one of the ones, not this one 01:35:33.000 –> 01:35:35.000 but one of the ones I heard 01:35:35.000 –> 01:35:37.000 remind me more of sailing on my dad’s boat 01:35:37.000 –> 01:35:39.000 apparently my dad was just sold 01:35:39.000 –> 01:35:41.000 I didn’t realize he’d sold his boat 01:35:41.000 –> 01:35:43.000 which is a bit sad 01:35:43.000 –> 01:35:45.000 but this is a bit more of a darker one 01:35:45.000 –> 01:35:47.000 and this is Echoes 01:35:47.000 –> 01:35:49.000 off the album 02:17:05.000 –> 02:17:07.000 That was Brown Dust 02:17:07.000 –> 02:17:09.000 yes that is the name of the band 02:17:09.000 –> 02:17:11.000 terrible name 02:17:11.000 –> 02:17:13.000 with Autumn from 02:17:13.000 –> 02:17:15.000 1972 02:17:15.000 –> 02:17:17.000 I don’t know if that’s a cover or not 02:17:17.000 –> 02:17:19.000 but it seemed appropriate for the end of summer 02:17:19.000 –> 02:17:21.000 in the start of autumn 02:17:21.000 –> 02:17:23.000 and then before that we had 02:17:23.000 –> 02:17:25.000 Cara Dillon from Cara Dillon 02:17:25.000 –> 02:17:27.000 2001 that’s I Am A Youth That’s 02:17:27.000 –> 02:17:29.000 Inclined To Ramble and I am 02:17:29.000 –> 02:17:31.000 well I’m not a youth I’m an old man 02:17:31.000 –> 02:17:33.000 that’s inclined to ramble but 02:17:33.000 –> 02:17:35.000 yeah 02:17:35.000 –> 02:17:37.000 that’s such a beautiful song it moves me to tears that song 02:17:37.000 –> 02:17:39.000 it’s a very very old 02:17:39.000 –> 02:17:41.000 18th century 02:17:41.000 –> 02:17:43.000 I think Scottish tune 02:17:43.000 –> 02:17:45.000 Scottish Irish 02:17:45.000 –> 02:17:47.000 yeah it is a very old traditional tune 02:17:47.000 –> 02:17:49.000 then before that we had 02:17:49.000 –> 02:17:51.000 Lil Peep 02:17:51.000 –> 02:17:53.000 with Life Is Beautiful 02:17:53.000 –> 02:17:55.000 which came out after he died I think 02:17:55.000 –> 02:17:57.000 from Come Over When You’re Sober Part 2 02:17:57.000 –> 02:17:59.000 I have to say I kind of avoided 02:17:59.000 –> 02:18:01.000 I knew of Lil Peep 02:18:01.000 –> 02:18:03.000 because vice articles 02:18:03.000 –> 02:18:05.000 and all these people talking about 02:18:05.000 –> 02:18:07.000 this new person 02:18:07.000 –> 02:18:09.000 but there does seem to be a bunch of 02:18:09.000 –> 02:18:11.000 I’m really just getting older 02:18:11.000 –> 02:18:13.000 but a bunch of rappers that died 02:18:13.000 –> 02:18:15.000 before they even really made it 02:18:15.000 –> 02:18:17.000 I had a few mixtapes or one album 02:18:17.000 –> 02:18:19.000 and then they were gone 02:18:19.000 –> 02:18:21.000 and he’s one of those 02:18:21.000 –> 02:18:23.000 referenced a lot of Cobain 02:18:23.000 –> 02:18:25.000 it’s all a bit kind of 02:18:25.000 –> 02:18:27.000 worryingly self perpetuating 02:18:27.000 –> 02:18:29.000 when someone’s idolising Cobain 02:18:29.000 –> 02:18:31.000 and then they die young themselves 02:18:31.000 –> 02:18:33.000 it’s not the 27 club anymore 02:18:33.000 –> 02:18:35.000 it’s like the 21 club or the 02:18:35.000 –> 02:18:37.000 19 club or the 22 club isn’t it 02:18:37.000 –> 02:18:39.000 the 27 grandad compared to 02:18:39.000 –> 02:18:41.000 some of these 02:18:41.000 –> 02:18:43.000 and before that we had 02:18:43.000 –> 02:18:45.000 Stick In The Wheel With Parasite 02:18:45.000 –> 02:18:47.000 which is from 02:18:47.000 –> 02:18:49.000 I’ve been trying not to play all of The Endless 02:18:49.000 –> 02:18:51.000 Coloured Ways 02:18:51.000 –> 02:18:53.000 The Songs of Nick Drake compilation 02:18:53.000 –> 02:18:55.000 but it is one of my favourites 02:18:55.000 –> 02:18:57.000 even though it’s so bleak and it is a bleak song 02:18:57.000 –> 02:18:59.000 it’s hard listening 02:18:59.000 –> 02:19:01.000 and then before that we had Fissunix 02:19:01.000 –> 02:19:03.000 with Is Schubert A Crime 02:19:03.000 –> 02:19:05.000 Sade versus 02:19:05.000 –> 02:19:07.000 Thylacine 02:19:07.000 –> 02:19:09.000 who did that 02:19:09.000 –> 02:19:11.000 originally Wendy Carlos thing 02:19:11.000 –> 02:19:13.000 but also William Orbit 02:19:13.000 –> 02:19:15.000 of taking a bunch of 02:19:15.000 –> 02:19:17.000 classical tunes 02:19:17.000 –> 02:19:19.000 and doing some ambient 02:19:19.000 –> 02:19:21.000 trance music with it 02:19:21.000 –> 02:19:23.000 that works very well 02:19:23.000 –> 02:19:25.000 there isn’t enough Schubert in mashups 02:19:25.000 –> 02:19:27.000 I do like to 02:19:27.000 –> 02:19:29.000 as I said it before 02:19:29.000 –> 02:19:31.000 I do like to creep 02:19:31.000 –> 02:19:33.000 sneak classical music 02:19:33.000 –> 02:19:35.000 into things 02:19:35.000 –> 02:19:37.000 it’s like a spoonful of sugar just underneath the door 02:19:37.000 –> 02:19:39.000 for a little bit of classical music 02:19:39.000 –> 02:19:41.000 and yeah we just sort of sneak it in there 02:19:41.000 –> 02:19:43.000 take all the posh things and sort of 02:19:43.000 –> 02:19:45.000 put them in the liquidiser 02:19:45.000 –> 02:19:47.000 and put them into milkshake secretly 02:19:47.000 –> 02:19:49.000 that’s what we like to do 02:19:49.000 –> 02:19:51.000 a little bit of art around here 02:19:51.000 –> 02:19:53.000 and then before that we had Pet Shop Boys Invisible 02:19:53.000 –> 02:19:55.000 which is from Elysium 02:19:55.000 –> 02:19:57.000 from 2017 02:19:57.000 –> 02:19:59.000 well that was 02:19:59.000 –> 02:20:01.000 at least it was Further Listening than 2017 02:20:01.000 –> 02:20:03.000 but I think it was actually 2011 or 2012 02:20:03.000 –> 02:20:05.000 something like that 02:20:05.000 –> 02:20:07.000 some point in the 11’s 02:20:07.000 –> 02:20:09.000 and that is about 02:20:09.000 –> 02:20:11.000 basically being gay 02:20:11.000 –> 02:20:13.000 and over 50 and being invisible and gay bars 02:20:13.000 –> 02:20:15.000 which you know obviously 02:20:15.000 –> 02:20:17.000 I just talked about Duckie 02:20:17.000 –> 02:20:19.000 and that sort of thing of where 02:20:19.000 –> 02:20:21.000 yeah it’s a younger generation 02:20:21.000 –> 02:20:23.000 you don’t exist it’s like an invisibility cloak 02:20:23.000 –> 02:20:25.000 it happens to older women 02:20:25.000 –> 02:20:27.000 it happens to gay men 02:20:27.000 –> 02:20:29.000 they’re just like hello we’re over here no 02:20:29.000 –> 02:20:31.000 they actually literally bump into me as if like I’m 02:20:31.000 –> 02:20:33.000 that’s when it gets a bit much 02:20:33.000 –> 02:20:35.000 when they actually walk into you as if like 02:20:35.000 –> 02:20:37.000 you are literally invisible 02:20:37.000 –> 02:20:39.000 that’s like 02:20:39.000 –> 02:20:41.000 hmm and I’m not your target market 02:20:41.000 –> 02:20:43.000 and I’m not interested in 20 year olds either 02:20:43.000 –> 02:20:45.000 so you know it works best ways 02:20:45.000 –> 02:20:47.000 it’s a bit offensive when they’re like 02:20:47.000 –> 02:20:49.000 it’s to walk into you as if like you 02:20:49.000 –> 02:20:51.000 aren’t even there 02:20:51.000 –> 02:20:53.000 and scowl at you like it’s your fault 02:20:53.000 –> 02:20:55.000 it’s like I’m not the one who’s completely 02:20:55.000 –> 02:20:57.000 twatted 02:20:57.000 –> 02:20:59.000 then before that we had The Arrangement 02:20:59.000 –> 02:21:01.000 by Joni Mitchell from 02:21:01.000 –> 02:21:03.000 1970’s Ladies of the Canyon 02:21:03.000 –> 02:21:05.000 there’s two songs there 02:21:05.000 –> 02:21:07.000 very linked well there’s like three 02:21:07.000 –> 02:21:09.000 I suppose Invisible 02:21:09.000 –> 02:21:11.000 The Arrangement which is about 02:21:11.000 –> 02:21:13.000 how people sort of sell 02:21:13.000 –> 02:21:15.000 their dreams down the river 02:21:15.000 –> 02:21:17.000 for a life in the suburbs 02:21:17.000 –> 02:21:19.000 and then before that 02:21:19.000 –> 02:21:21.000 Jimmy Webb’s song Pocketful of Keys 02:21:21.000 –> 02:21:23.000 I wanted to play Thelma Houston 02:21:23.000 –> 02:21:25.000 because Thelma Houston before she was all Disco 02:21:25.000 –> 02:21:27.000 she did an album with 02:21:27.000 –> 02:21:29.000 Jimmy Webb but I can’t because 02:21:29.000 –> 02:21:31.000 I guess who big bad 02:21:31.000 –> 02:21:33.000 record company but 02:21:33.000 –> 02:21:35.000 that version isn’t 02:21:35.000 –> 02:21:37.000 and I think it’s more interesting and more 02:21:37.000 –> 02:21:39.000 not really well known that Doug Ashton 02:21:39.000 –> 02:21:41.000 with Pocketful of Keys from 02:21:41.000 –> 02:21:43.000 1977’s Empty Without You 02:21:43.000 –> 02:21:45.000 and Pocketful of Keys 02:21:45.000 –> 02:21:47.000 is all about a similar sort of alienation 02:21:47.000 –> 02:21:49.000 I love the fact that it’s like 02:21:49.000 –> 02:21:51.000 jangle the Pocketful of Keys 02:21:51.000 –> 02:21:53.000 makes the spider scuttle away 02:21:53.000 –> 02:21:55.000 you just get a very visible idea that 02:21:55.000 –> 02:21:57.000 there’s nothing in the mailbox 02:21:57.000 –> 02:21:59.000 it hasn’t been for a long time for the spiders 02:21:59.000 –> 02:22:01.000 in there 02:22:01.000 –> 02:22:03.000 very lonely existence 02:22:03.000 –> 02:22:05.000 then before that 02:22:05.000 –> 02:22:07.000 interestingly from the album called 1977 02:22:07.000 –> 02:22:09.000 I don’t remember there’s a link there 02:22:09.000 –> 02:22:11.000 that’s Music’s Éire 02:22:11.000 –> 02:22:13.000 and yeah I’m liking 02:22:13.000 –> 02:22:15.000 what I’m hearing from that album 02:22:15.000 –> 02:22:17.000 and at the start of the section we heard 02:22:17.000 –> 02:22:19.000 Echoes Mark David Hadley 02:22:19.000 –> 02:22:21.000 from the recent album Through Trains 02:22:21.000 –> 02:22:23.000 Check It Out 02:22:23.000 –> 02:22:25.000 I need to feature it on the 02:22:25.000 –> 02:22:27.000 I’m very bad at featuring things on blogs 02:22:27.000 –> 02:22:29.000 I launched it when I was away 02:22:29.000 –> 02:22:31.000 but there’s two or three I specifically like 02:22:31.000 –> 02:22:33.000 and there’ll be one of two to 02:22:33.000 –> 02:22:35.000 play in future podcasts 02:22:35.000 –> 02:22:37.000 and thank you Mark for giving me a copy of that 02:22:37.000 –> 02:22:39.000 and I hope 02:22:39.000 –> 02:22:41.000 people go and check it out because 02:22:41.000 –> 02:22:43.000 Mark is 02:22:43.000 –> 02:22:45.000 I’ve said so many times before 02:22:45.000 –> 02:22:47.000 someone I’m out on my art degree 02:22:47.000 –> 02:22:49.000 and has always been a musician 02:22:49.000 –> 02:22:51.000 and into making 02:22:51.000 –> 02:22:53.000 sound sculptures 02:22:53.000 –> 02:22:55.000 and sound pieces 02:22:55.000 –> 02:22:57.000 and musical pieces 02:22:57.000 –> 02:22:59.000 is very talented I have 02:22:59.000 –> 02:23:01.000 there’s a couple of people I knew 02:23:01.000 –> 02:23:03.000 you work with musically 02:23:03.000 –> 02:23:05.000 Sean was the other one 02:23:05.000 –> 02:23:07.000 who was just so talented musically 02:23:07.000 –> 02:23:09.000 it was quite spooky 02:23:09.000 –> 02:23:11.000 there I am 02:23:11.000 –> 02:23:13.000 playing one finger keyboard 02:23:13.000 –> 02:23:15.000 not saying I was in a band 02:23:15.000 –> 02:23:17.000 but the closest thing I came to being in a band 02:23:17.000 –> 02:23:19.000 I suppose working on experimental music 02:23:19.000 –> 02:23:21.000 the Nether Edge Experimental Music Collective 02:23:21.000 –> 02:23:23.000 N-E-E-M-C 02:23:23.000 –> 02:23:25.000 yes there’s more clanging 02:23:25.000 –> 02:23:27.000 more clanging things than 02:23:27.000 –> 02:23:29.000 music making but I mean 02:23:29.000 –> 02:23:31.000 some people like my Reality Engine stuff 02:23:31.000 –> 02:23:33.000 which is all over at my bank 02:23:33.000 –> 02:23:35.000 realityengine.co.uk 02:23:35.000 –> 02:23:37.000 if you dig back past the mashups 02:23:37.000 –> 02:23:39.000 you will see the 02:23:39.000 –> 02:23:41.000 hidden da Vinci Code 02:23:41.000 –> 02:23:43.000 style 02:23:43.000 –> 02:23:45.000 underneath the altar and you will see 02:23:45.000 –> 02:23:47.000 my previous incarnation as Reality Engine 02:23:47.000 –> 02:23:49.000 which is where I was doing experimental music 02:23:49.000 –> 02:23:51.000 and ambient music 02:23:51.000 –> 02:23:53.000 I don’t usually do it 02:23:53.000 –> 02:23:55.000 I haven’t done it for a long time 02:23:55.000 –> 02:23:57.000 I’ve done any original pieces 02:23:57.000 –> 02:23:59.000 it’s just when it’s a mood thing 02:23:59.000 –> 02:24:01.000 and I think weirdly doing mashups 02:24:01.000 –> 02:24:03.000 and music production in mashups 02:24:03.000 –> 02:24:05.000 even though it’s not my music 02:24:05.000 –> 02:24:07.000 it kind of doesn’t really scratch that edge 02:24:07.000 –> 02:24:09.000 but it kind of means that 02:24:09.000 –> 02:24:11.000 you know I’m busy doing that 02:24:11.000 –> 02:24:13.000 I don’t really get to do the original stuff 02:24:13.000 –> 02:24:15.000 which is a shame 02:24:15.000 –> 02:24:17.000 it’s very much a mood thing to me 02:24:17.000 –> 02:24:19.000 and it’s very much where I’m playing around 02:24:19.000 –> 02:24:21.000 bored very quickly 02:24:21.000 –> 02:24:23.000 and I tend to do 02:24:23.000 –> 02:24:25.000 original sort of one minute, two minute pieces 02:24:25.000 –> 02:24:27.000 and I’m not really interested in extending them 02:24:27.000 –> 02:24:29.000 it goes oh that’ll be really good as a full piece 02:24:29.000 –> 02:24:31.000 and I’m like no it’s 02:24:31.000 –> 02:24:33.000 perfect as it is 02:24:33.000 –> 02:24:35.000 it just documents a little time when I was playing around with something 02:24:35.000 –> 02:24:37.000 I like that 02:24:37.000 –> 02:24:39.000 it’s like why is it 02:24:39.000 –> 02:24:41.000 say something in five minutes you can say in one minute 02:24:41.000 –> 02:24:43.000 you know, seriously, punk 02:24:43.000 –> 02:24:45.000 hello 02:24:45.000 –> 02:24:47.000 so as I mentioned about the 02:24:47.000 –> 02:24:49.000 Summer Camp 02:24:49.000 –> 02:24:51.000 they just finished last night 02:24:51.000 –> 02:24:53.000 and this is a mashup that was created for that 02:24:53.000 –> 02:24:55.000 DJNono created a mashup for 02:24:55.000 –> 02:24:57.000 the summer camp 02:24:57.000 –> 02:24:59.000 the summer is coming in one 02:24:59.000 –> 02:25:01.000 very recommend and there’s a few others that were played 02:25:01.000 –> 02:25:03.000 which might have been like compilation because I think PDSMix 02:25:03.000 –> 02:25:05.000 is going to order a compilation of 02:25:05.000 –> 02:25:07.000 the mashups for Mashup Summer Camp 02:25:07.000 –> 02:25:09.000 which would be good and apparently next year 02:25:09.000 –> 02:25:11.000 it’s going to start earlier and it’s going to be a longer thing 02:25:11.000 –> 02:25:13.000 and I think 02:25:13.000 –> 02:25:15.000 it could start in August partly to fill the whole 02:25:15.000 –> 02:25:17.000 space 02:25:17.000 –> 02:25:19.000 created by 02:25:19.000 –> 02:25:21.000 Adriana being away I think she’s going to be back soon 02:25:21.000 –> 02:25:23.000 but 02:25:23.000 –> 02:25:25.000 apparently it’s going to be a longer thing and it’s going to be good I think 02:25:25.000 –> 02:25:27.000 I think it’ll be good to build on that 02:25:27.000 –> 02:25:29.000 because it was a little bit hurried and of course I was actually away camping 02:25:29.000 –> 02:25:31.000 which is 02:25:31.000 –> 02:25:33.000 very hard to be involved in mashup summer camp 02:25:33.000 –> 02:25:35.000 virtual camp was actually real camping 02:25:35.000 –> 02:25:37.000 that probably won’t be a problem 02:25:37.000 –> 02:25:39.000 next year 02:25:39.000 –> 02:25:41.000 so this is a great mashup 02:25:41.000 –> 02:25:43.000 by reconthuse and it’s kind of 02:25:43.000 –> 02:25:45.000 a similar thing to the whole 02:25:45.000 –> 02:25:47.000 this whole podcast which has been like the end of summer 02:25:47.000 –> 02:25:49.000 sort of endings 02:25:49.000 –> 02:25:51.000 I mean it’s kind of funny how I started 02:25:51.000 –> 02:25:53.000 with everything must go because 02:25:53.000 –> 02:25:55.000 Everything Must Go when I moved 02:25:55.000 –> 02:25:57.000 out of 02:25:57.000 –> 02:25:59.000 my old flat in 2016 02:25:59.000 –> 02:26:01.000 that’s what I labeled 02:26:01.000 –> 02:26:03.000 that post was Everything Must Go 02:26:03.000 –> 02:26:05.000 because I was selling all my stuff on ebay 02:26:05.000 –> 02:26:07.000 and there was another 02:26:07.000 –> 02:26:09.000 major life change oh the thing 02:26:09.000 –> 02:26:11.000 with my 02:26:11.000 –> 02:26:13.000 2008 having to 02:26:13.000 –> 02:26:15.000 empty the childhood home against 02:26:15.000 –> 02:26:17.000 I used the song in one of the Child 02:26:17.000 –> 02:26:19.000 hood’s End videos 02:26:19.000 –> 02:26:21.000 so it’s a song 02:26:21.000 –> 02:26:23.000 which has kind of haunted me 02:26:23.000 –> 02:26:25.000 through various life changes 02:26:25.000 –> 02:26:27.000 and there’s another one coming 02:26:27.000 –> 02:26:29.000 so yeah it’s 02:26:29.000 –> 02:26:31.000 sort of this autumn theme and an ending theme 02:26:31.000 –> 02:26:33.000 or chain work and not ending 02:26:33.000 –> 02:26:35.000 it’s more of a change theme everything must go 02:26:35.000 –> 02:26:37.000 it’s not necessarily a negative song 02:26:37.000 –> 02:26:39.000 it was obviously a post 02:26:39.000 –> 02:26:41.000 Richie’s disappearance of the 02:26:41.000 –> 02:26:43.000 Manics but the song is also saying 02:26:43.000 –> 02:26:45.000 this is going to change 02:26:45.000 –> 02:26:47.000 to the fans which is the intention 02:26:47.000 –> 02:26:49.000 it’s not necessarily negative it’s more like 02:26:49.000 –> 02:26:51.000 you know we need to clear out everything 02:26:51.000 –> 02:26:53.000 to start again or do something different 02:26:53.000 –> 02:26:55.000 and that’s how I feel at the moment so 02:26:55.000 –> 02:26:57.000 yeah watch this space 02:26:57.000 –> 02:26:59.000 so this is a song by reconthuse 02:26:59.000 –> 02:27:01.000 and there aren’t enough Dusty Springfield mashups 02:27:01.000 –> 02:27:03.000 I can say it right here 02:27:03.000 –> 02:27:05.000 there needs to be more Dusty Springfield mashups 02:27:05.000 –> 02:27:07.000 this Summer Camp Is Over 02:27:07.000 –> 02:27:09.000 and it’s versus the Lightning 02:27:09.000 –> 02:27:11.000 Thief cast versus The Neighborhood 02:27:11.000 –> 02:27:13.000 I don’t know the backing so much but I know the dusty 02:27:13.000 –> 02:27:15.000 and 02:27:15.000 –> 02:27:17.000 yeah I’ll speak to you soon

You can listen to RC 388: Autumn – Everything Must Go online on Radio and Podcast. Open the player on this page to stream the available audio.

RC 388: Autumn – Everything Must Go is an episode from Radio Clash Music Podcast by Tim from Radio Clash.

This episode is 2:31:19 long.

This episode was published on Sep 25, 2023.

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