
226: Huw Watkins
Mar 26, 2026 - 00:41:01
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Sheffield Chamber Music Festival 2026 curator Claire Booth was asked a blunt question when she was invited her to put together this year's programme: why is selling a song recital so difficult? This year's Sheffield is t...
227: Claire Booth is an episode from Thoroughly Good Classical Music Podcast by Thoroughly Good Classical Music Podcast. Sheffield Chamber Music Festival 2026 curator Claire Booth was asked a blunt question when she was invited her to put t...
This episode belongs to Thoroughly Good Classical Music Podcast.
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Published Apr 24, 2026, 00:42:56 long, audio available.
Sheffield Chamber Music Festival 2026 curator Claire Booth was asked a blunt question when she was invited her to put together this year's programme: why is selling a song recital so difficult? This year's Sheffield is the answer — or rather, her answer, or the argument. Or maybe its her case for it. Across a week of concerts, she pulls in Ravel's Scheherazade into the orbit of folk tales, positions Judith Weir's King Harald's Saga alongside a repeat performance of Gavin Higgins's Speak of the North, and premieres Julian Philipps's multilingual children's opera Henny Penny. Song sells itself because song tells a story. Recorded in the Royal Opera House café after a day of rehearsals, Claire talks about the Festival, a planned collaboration with Rufus Norris on Beckett, her 2025 RPS Singer Award, and — briefly, and with more disappointment than heat — Timothy Chalamet.
You can listen to 227: Claire Booth online on Radio and Podcast. Open the player on this page to stream the available audio.
227: Claire Booth is an episode from Thoroughly Good Classical Music Podcast by Thoroughly Good Classical Music Podcast.
This episode is 00:42:56 long.
This episode was published on Apr 24, 2026.
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227: Claire Booth is from Thoroughly Good Classical Music Podcast by Thoroughly Good Classical Music Podcast.
Published Apr 24, 2026 and 00:42:56 long