Eastward Ho: ‘He That Rises with Ease, Alas, Falls as Easily’

Episode 209: After the failure of ‘Sejanus His Fall’ Jonson’s next play was a collaboration with John Marston and George Chapman, a new play for the Blackfriars’s theatre and it’s resident company of boy actors. Jonson maybe needed the collaboration to restore his confidence in his writing, although from what we know of his character perhaps more likely it was the hope of a decent payday that spurred him on. Returning to comedy must have been part of the attraction. Whatever the case the three playwrights managed to produce a comedy that was funny, thoughtful, moralistic and yet still controversial. The exact reasons for that controversy and the strength of reaction to the play from king James is now obscure to us, but at the time nearly cost the playwrights not only their liberty, but their ears as well. The three authors of the play – who wrote what? The first performance and printing of the play A synopsis of the plot The play as a response to ‘Westward Ho!’ The Prologue The comparison of good and bad work ethics The child acting companies and how their plays were received Combining three types of play on ‘Eastward Ho’ The city comedy The citizen comedy The morality tale Three journeys in the play The voyage to Virginia Gertrude’s journey Golding’s rise in the city Reference to the Roanoke settlement and the view of the New World The fate of the adventurers after the shipwreck The influence of the city of London and alchemy The pairing of characters for dramatic effect The theatrical nature of the play and Quicksilver’s redemption The consequences of the play for the playwrights The later performance history of the play Support the podcast at: Hosted on Acast. See acast.com/privacy for more information.

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Eastward Ho: ‘He That Rises with Ease, Alas, Falls as Easily’ is an episode from The History Of European Theatre by Philip Rowe.

This episode is 36:39 long.

This episode was published on Mar 30, 2026.

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