
DP Greta Zozula on the look of The Testaments
DP Greta Zozula remakes the world of Gilead in The Testaments, a sequel to The Handmaid's Tale. She chose a very specific color palette and...
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Art, Business, Craft and Philosophy of the Moving Image

DP Greta Zozula remakes the world of Gilead in The Testaments, a sequel to The Handmaid's Tale. She chose a very specific color palette and...

Hunting Matthew Nichols is an indie horror film that’s shot as a mockumentary/found-footage movie about a documentary filmmaker investigatin...

The Cinematography Podcast Episode 353: Isaac Bauman Cinematographer Isaac Bauman captured the visual identities of two different horror mov...

The Cinematography Podcast Episode 352: Ted Hope Producer Ted Hope has worked in the film business for over 40 years, producing dozens of fe...

The Cinematography Podcast Episode 351: Marshall Adams, ASC and Paul Donachie Pluribus DPs Marshall Adams and Paul Donachie share a visual s...

The Cinematography Podcast Episode 350: Lawrence Sher, ASC DP Lawrence Sher felt creatively challenged on The Bride! The "everything burger"...

The Cinematography Podcast 2026 Oscar Special Jenelle Riley, three-time Emmy-winning entertainment journalist and host, chats with Ben and I...

The Cinematography Podcast Episode 349: James Whitaker, ASC Good Luck, Have Fun, Don't Die DP James Whitaker, ASC played with different genr...

The Cinematography Podcast Episode 348: Danny Cohen, BSC DP Danny Cohen, BSC, reveals how he crafted the "dirty London" look of Slow Horses...

The Cinematography Podcast Episode 347: director Natasha Kermani and DP Julia Swain In the medieval horror film The Dreadful, director Natas...

The Cinematography Podcast Special: Frederick Wiseman With the passing of documentarian Frederick Wiseman, here is a re-release of our 2020...

The Cinematography Podcast Episode 346: Adolpho Veloso, ABC, AIP The film Train Dreams tells a story that feels less like a narrative and mo...

The Cinematography Podcast Episode 345: Sean Bobbitt In the landscape of post-apocalyptic cinema, few franchises carry as much visual baggag...

The Cinematography Podcast Episode 344: Russell Carpenter When cinematographer Russell Carpenter began working on Avatar: The Way of Water a...

The Cinematography Podcast Episode 342: Michael Bauman Cinematographer Michael Bauman recently earned an Academy Award nomination for Best C...

The Cinematography Podcast Episode 342: Amy Vincent, ASC Cinematographer Amy Vincent, ASC feels like she's reached the place where she wants...

The Cinematography Podcast Episode 341: Caleb Heymann Cinematographer Caleb Heymann has been a key architect of the Stranger Things aestheti...

The Cinematography Podcast Episode 340: Steve Yedlin, ASC Cinematographer Steve Yedlin, ASC, and director Rian Johnson have shared a creativ...

The Cinematography Podcast Episode 339: Autumn Durald Arkapaw, ASC Cinematographer Autumn Durald Arkapaw, ASC was first introduced to direct...

The Cinematography Podcast Episode 338: Bryan Fuller and Nicole Hirsch Whitaker Bryan Fuller has one of the most recognizable visual signatu...

The Cinematography Podcast Episode 337: Eric Lin and Lyle Vincent Rosemead tells the tragic, true story of Irene (Lucy Liu), a terminally il...

The Cinematography Podcast Episode 336: Alice Brooks, ASC For cinematographer Alice Brooks, ASC, shooting both Wicked and Wicked: For Good c...

The Cinematography Podcast Episode 335: Jess Hall Cinematographer Jess Hall, ASC, BSC reunited with director Matt Shakman to bring the retro...

The Cinematography Podcast Episode 334: Jeff Cutter Cinematographer Jeff Cutter first collaborated with director Dan Trachtenberg on 10 Clov...

The Cinematography Podcast Episode 333: Jeff Cronenweth Two-time Oscar-nominated cinematographer Jeff Cronenweth, ASC is known for visually...

The Cinematography Podcast Episode 332: Dan Laustsen For nearly 30 years, cinematographer Dan Laustsen, ASC, DFF and director Guillermo del...

The Cinematography Podcast Episode 331: Tobias Datum Murderbot is the story of a security unit, part-human and part-machine, that has hacked...

The Cinematography Podcast Episode 330: Pål Ulvik Rokseth Pål Ulvik Rokseth, the Norwegian cinematographer behind director Paul Greengrass's...

The Cinematography Podcast Episode 329: Ula Pontikos, BSC The psychological thriller The Man in My Basement is about Charles Blakey (Corey H...

The Cinematography Podcast Episode 328: Kira Kelly, ASC Cinematographer Kira Kelly, ASC, had a rare opportunity in the movie HIM: exploring...

The Cinematography Podcast Episode 327: Bryn Mooser and Paul Trillo Bryn Mooser and Paul Trillo of Asteria on AI in filmmaking Asteria, an A...

The Cinematography Podcast Episode 326: Matthew Libatique, ASC Cinematographer Matty Libatique, ASC, has had a productive year. Shortly afte...

The Cinematography Podcast Episode 325: John Conroy, ASC, ISC For the Netflix six-part political thriller, Zero Day, cinematographer John Co...

The Cinematography Podcast Episode 324: Producer, Director, DP Dana Gonzales, ASC Dana Gonzales, ASC is a producer, director, and cinematogr...

The Cinematography Podcast Episode 323: Cinematographer Larkin Seiple Cinematographer Larkin Seiple was ready to take a well-deserved break...

The Cinematography Podcast Episode 322: Matthew Chuang, ACS Chief of War is a historical drama series from Apple TV+ co-created by and starr...

The Cinematography Podcast Episode 321: Cinematographer Matt Lewis In the limited Netflix series Adolescence, each episode unfolds as a sing...

The Cinematography Podcast Episode 320: Cinematographer Matt Ball For cinematographer Matt Ball, shooting the National Geographic five part...

The Cinematography Podcast Episode 319: Christopher Ross, BSC The Peacock series The Day of the Jackal, a modern update of the film and nove...

The Cinematography Podcast Episode 318: Michael Dallatorre In the film Locked, cinematographer Michael Dallatorre faced a unique challenge:...

The Cinematography Podcast Episode 317: Mihai Mălaimare Jr. For cinematographer Mihai Mălaimare Jr., ASC, his work with director Francis For...

The Cinematography Podcast Episode 316: Adam Newport-Berra The Studio creators Seth Rogen and Evan Goldberg exploited every part of their kn...

The Cinematography Podcast Episode 315: Stephen Murphy The FX and Hulu limited series Say Nothing is a historical drama that explores the ha...

As a huge fan of the original Squid Game, cinematographer Kim Ji-yong jumped at the opportunity to shape the visual language for the show's...

The Cinematography Podcast Episode 314: Luke Cormack For cinematographer Luke Cormack, filming the National Geographic series David Blaine:...

The Cinematography Podcast Episode 313: Christophe Nuyens A huge admirer of the Star Wars movie Rogue One, cinematographer Christophe Nuyens...

The Cinematography Podcast Episode 312: Ksenia Sereda & Catherine Goldschmidt Season 2 of HBO's acclaimed series The Last of Us sees a shift...

The Cinematography Podcast Episode 311: Jacques Jouffret, ASC Netflix's American Primeval plunges viewers into the harsh realities of a grit...

The Cinematography Podcast Episode 310: Baz Irvine, BSC, ISC The second season of Silo on Apple TV+ is a dramatic visual departure from its...

The Cinematography Podcast Episode 309: Scott Siracusano The Hulu original horror film, Control Freak, plunges audiences into the unraveling...