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It’s Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhibition that this year features more than 100 artists in the Central Pavilio...
Venice Biennale Special 2026 is an episode from The Art Newspaper Weekly by The Art Newspaper. It’s Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhi...
This episode belongs to The Art Newspaper Weekly.
Use the player on this page to stream the episode online.
Published May 7, 2026, 1:56:12 long, audio available.
It’s Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhibition that this year features more than 100 artists in the Central Pavilion in the Giardini—Venice’s easternmost gardens—and the Arsenale, the historic Venetian shipyards, as well as national pavilions and, across the city, countless official collateral exhibitions alongside major museum shows, performances and other interventions. We bring you our immediate impressions of this year’s offering: Louisa Buck, Jane Morris and host Ben Luke review the main exhibition, In Minor Keys, curated by the late Koyo Kouoh and realised by five of her collaborators. Ben talks to two artists: Gabrielle Goliath whose work for the South African pavilion was cancelled and is being staged in a church in the heart of Venice, and Lubaina Himid, who is showing in the British pavilion in the Giardini. He also meets the writer and thinker Saidiya Hartman, two of whose essays have inspired a production called Minor Music at the End of the World, staged at Venice’s Goldoni Theatre and featuring contributions from, among others, the artists Arthur Jafa, Precious Okoyomon and Okwui Okpokwaseli. And The Art Newspaper’s digital editor, Alexander Morrison, talks to Daniella Kaliada, one of the team behind Official. Unofficial. Belarus., a collateral art project by Belarus Free Theatre. Finally, we always end our Venice specials with a historic masterpiece, and in this episode’s Work of the Week, we look at two: Jacopo Tintoretto’s The Last Supper and The Israelites in the Desert of 1591-92, the pair of paintings made for the presbytery of the Basilica of San Giorgio Maggiore. The paintings have just returned to the basilica after a major conservation project, funded by the charity Save Venice, and Ben spoke to Save Venice’s Senior Researcher, Gabriele Matino, about them. In Minor Keys, 9 May-22 November Gabrielle Goliath: Elegy, Chiesa di Sant’Antonin, 5 May-31 July Predicting History: Testing Translation, British Pavilion, 9 May-22 November Official. Unofficial. Belarus., Chiesa di San Giovanni Evangelista di Venezia, 9 May-22 November Visit savevenice.org Hosted on Acast. See acast.com/privacy for more information.
You can listen to Venice Biennale Special 2026 online on Radio and Podcast. Open the player on this page to stream the available audio.
Venice Biennale Special 2026 is an episode from The Art Newspaper Weekly by The Art Newspaper.
This episode is 1:56:12 long.
This episode was published on May 7, 2026.
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Venice Biennale Special 2026 is from The Art Newspaper Weekly by The Art Newspaper.
Published May 7, 2026 and 1:56:12 long