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Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarit...
Vocal Processing Techniques is an episode from Recording & Mixing by Sound On Sound Ltd. Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame...
This episode belongs to Recording & Mixing.
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Published Sep 16, 2025, 34:49 long, audio available.
Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track. Chapters 00:00 - Introduction 00:30 - Common Vocal Track Issues 01:04 - Example 1: De-essing Sibilance 08:57 - Example 2: Taming Resonance With EQ 16:13 - Example 3: Reverb Ducking 25:22 - Example 4: Frequency Ducking Track Credits Example 1 - written and performed by David Plummer and Becky Bremner - Examples 2, 3 and 4 - ‘Puppet’ written, performed and recorded by John Walden, vocals by Yvonne McKeown Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads. During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound. Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine. Catch more shows on our other podcast channels:
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Vocal Processing Techniques is an episode from Recording & Mixing by Sound On Sound Ltd.
This episode is 34:49 long.
This episode was published on Sep 16, 2025.
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Vocal Processing Techniques is from Recording & Mixing by Sound On Sound Ltd.
Published Sep 16, 2025 and 34:49 long