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Currency Press believes in theatre that raises more questions than answers, so we’re talking to Australian playwrights about their work, getting insights straight from the source
Recorded at the Currency Press Festival of Playwrights 2025 ADAPTING FOR THE STAGE: What makes the classics so tempting to reimagine? And ho...
Recorded at the Currency Press Festival of Playwrights 2025 FEMINIST VOICES: More women and non-binary artists are now in key creatives role...
Recorded at the Currency Press Festival of Playwrights 2025 WRITERS VS AI: What is the point of having a humanities degree if AI can do the...
Recorded at the Currency Press Festival of Playwrights 2025 PLAYWRIGHT CRUSH 2: Jules Orcullo and Michelle Law *** currency.com.au
Recorded at the Currency Press Festival of Playwrights 2025 SHARING CULTURE VIA THE STAGE: Following on from Jordan Shea's Keynote asking 'W...
Recorded at the Currency Press Festival of Playwrights 2025 Welcome to Country followed by Jordan Shea's Keynote Address - What is an Austra...
Recorded at the Currency Press Festival of Playwrights 2025 AUSTRALIAN PLAYWRIGHTS ON THE INTERNATIONAL STAGE: Not only are Australian plays...
Recorded at the Currency Press Festival of Playwrights 2025 PLAYWRIGHT CRUSH 1: Ryan Enniss and Joanna Erskine *** currency.com.au
Recorded at the Currency Press Festival of Playwrights 2025 IN CONVERSATION WITH JOANNA MURRAY-SMITH facilitated by Melanie Tait. Includes e...
Recorded at the Currency Press Festival of Playwrights 2025 WHEN THINGS GO WRONG: A series of anecdotes about mishaps large and small, and t...
We sat down with playwright Madelaine Nunn to hear more about her three plays published by Currency Press - 'Cactus', 'Garage Girls' and 'si...
We talk to Australian actor Francis Greenslade about his life, career, and what led him to write his book 'How I Learnt to Act: On the way t...
Recorded at the Currency Press Festival of Playwrights 2023 CONTENT WARNING/CANCEL CULTURE: We're living in an age when a media storm can sh...
Recorded at the Currency Press Festival of Playwrights 2023 Playwrights Melanie Tait and Sarah Carroll have a conversation about their caree...
Recorded at the Currency Press Festival of Playwrights 2023 GO YOUR OWN WAY: Being selected for a mainstage season is often viewed as the en...
Recorded at the Currency Press Festival of Playwrights 2023 STORY AS COMMODITY: Theatre is not just about entertainment, it is also a powerf...
Recorded at the Currency Press Festival of Playwrights 2023 WHEN OPINIONS DIFFER: Whose play is it? Where does it leave the playwright when...
Recorded at the Currency Press Festival of Playwrights 2023 Finegan Kruckemeyer talks with Eva Di Cesare about his life, work, and influence...
Recorded at the Currency Press Festival of Playwrights 2023 MIND THE POTHOLES: How does writing for, and working with, regional theatre comp...
Recorded at the Currency Press Festival of Playwrights 2023 Playwrights Alana Valentine and JoJo Zhou have a conversation about their career...
Recorded at the Currency Press Festival of Playwrights 2023 GROUP CHATS/HOME TRUTHS: A conversation about the power of theatre to heal, to c...
Recorded at the Currency Press Festival of Playwrights 2023 Keynote Address by Andrea James - Are You Brave Enough? *** https://www.currency...
This pre-show interview was recorded at Canberra Theatre Centre during the 2024 tour of Drizzle Boy, winner of the 2023 Queensland Premier's...
In this episode of Not in Print Caitlin speaks with Julian Meyrick. Julian Meyrick is Professor of Creative Industries at Griffith Universit...
In this episode, Caitlin spoke with playwright, director and dramaturg, Andrea James. Andrea is a Yorta Yorta/Gunaikurnai woman who is dedic...
"Five years at law school, eleven years of practice, I have always believed. Now I need to know that I was not mistaken." --- In this episod...
"Tease us and hate us / but don't underestimate us..." This month we spoke with Yve Blake, playwright, screenwriter and composer, and the cr...
‘In Tamil we don’t say goodbye. Only, I will go and come back.’ ‘நாங்கள் விடைபெறேக்க, ‘போயிட்டு வாறன்’ எண்டு மட்டும் தான் தமிழில சொல்லுறனாங்...
To re-launch Not in Print, we spoke with Finegan Kruckemeyer about magical worlds where monsters are friends and lighthouses are boats, and...
A powerful story of five disenfranchised young women who are fighting for respect, railing against authority and struggling to form an ident...
"We hit Cairo like a train!... Every dirty little alley, every dusty back room bar. The pyramids are marvellous, but I could spend the rest...
Alana Valentine reads her response to Summer of the Seventeenth Doll by Ray Lawler. It’s called An Ever-Changing Idiom and features in the C...
Alana Valentine—one of Australia’s most renowned and respected playwrights, whose work includes Parramatta Girls, Eyes to the Floor, Shafana...
In Norm and Ahmed a rather ocker, white Australian male encounters a well-mannered Pakistani student with revolutionary ambitions on a Sydne...
Toby Leon reads an article Alex Buzo wrote for Quadrant Magazine in 2004. It’s called ‘Wary Asians on a Theme: Dramatising in the Near North...
Each night two hoods ride a train to a wrecking yard on the outskirts of the city. Here, in this cemetery of stories, they are storytellers...
At times funny, bizarre and confronting, cultures and ideologies collide in this intimate and innately Australian exploration of love and lo...
Roslyn Oades reads the transcript of a speech she gave at the Victorian College of the Arts in 2010, where she was invited to contribute to...
An odd-couple story—a friendship between two musicians stuck in an immigration detention centre. There’s the drummer who loves rock ‘n’ roll...
A fast-moving, wisecracking commentary on 1980's materialism, urban mores and morals, and the rivalries and passions to be encountered on th...
William Thornhill: Born into brutal poverty in London in the late 18th century and transported to the Colony of New South Wales for theft in...
Brothers Wreck is about life, even though it begins with a death. On a hot morning under a house in Darwin, Ruben wakes to find his cousin,...
At the heart of Shafana and Aunt Sarrinah is the relationship between an aunt, Sarrinah, and her niece, Shafana. Both devout Muslims, the yo...
Dr. Christina Ho reads her introduction to Shafana and Aunt Sarrinah. It’s called Creating Identity in a Hostile World. Dr. Ho researches mi...
Cressy, Mae and Nona are half sisters with little in common bar the ghosts from their childhood. They return to their childhood home on the...
Louis Nowra reads his introduction to his play, Radiance. It’s called Women on the Mud Flats and it charts the journey of the work from a si...
They met online. She’s a nurse in her forties, trapped in a loop of catastrophic debt. He’s in IT, trapped in his own loop of nightly porn-t...
It’s a classic odd-couple story. Meet Ana—a battle hardened Hungarian-Australian veteran of the twentieth century. Catherine is her neighbou...
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of bois...
Aspiring archaeologist, Sophie, left home when she was 20, much to the shame of her traditional Jordanian mother. Years later, losing sleep...