
Radio and PodcastLive Radio & Podcasts
Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)
What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Femini...
About This Episode
Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) is an episode from New Books in Communications. What happens when we assume women’s presence in film history instead of their absence?...
This episode belongs to New Books in Communications.
Use the player on this page to stream the episode online.
Published Apr 20, 2026, 64:59 long, audio available.
Questions About This Episode
What is Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) about?
What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member!
Where can I listen to Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)?
You can listen to Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) online on Radio and Podcast. Open the player on this page to stream the available audio.
Which podcast is Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) from?
Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) is an episode from New Books in Communications.
How long is this episode?
This episode is 64:59 long.
When was this episode published?
This episode was published on Apr 20, 2026.
Can I save Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) for later?
Yes. Use the heart button on the episode page to add it to your favorite episodes list.
Are there related episodes from New Books in Communications?
Yes. This page shows related episodes from New Books in Communications when more episodes are available from the podcast feed.