
How to Build Confidence as a Mix Engineer
May 5, 2026 - 77:10
Radio and PodcastLive Radio & Podcasts
In Episode 359 of the Mixing Music Podcast, Dee Kei sits down in Shibuya, Tokyo with Erik Reiff from Black Cat White Cat Music, a music agency working across advertising, film, TV series, games, and publishing. The conve...
Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want is an episode from Mixing Music | Music Production, Audio Engineering, & Music Business by @DeeKeiMixes. In Episode 359 of the Mixing Music Podcas...
This episode belongs to Mixing Music | Music Production, Audio Engineering, & Music Business.
Use the player on this page to stream the episode online.
Published Feb 3, 2026, 85:21 long, audio available.
In Episode 359 of the Mixing Music Podcast, Dee Kei sits down in Shibuya, Tokyo with Erik Reiff from Black Cat White Cat Music, a music agency working across advertising, film, TV series, games, and publishing. The conversation offers a rare inside look at how brands and agencies actually choose music, and what producers need to understand if they want to land real commercial placements. Erik breaks down how music is sourced for advertising in Japan, including how creative decisions are made, why relationships matter more than cold pitches, and how Japanese and Western expectations around sync, licensing, and royalties can differ. He explains the concept of “tie-ups,” upfront fees, and why some advertising music deals function very differently than traditional backend royalty models. They also get into practical pitching advice for producers and composers, including what makes an outreach email worth opening, why personalization matters, and how professionalism, reliability, and communication often outweigh raw talent. Erik shares his strong stance on not delivering full stems at the final stage, explaining how protecting the approved mix helps preserve the original creative intent. The episode explores cross-cultural communication, Japanese business etiquette, and the role of trust when working with clients. They also discuss AI in advertising music, where automation may increase, and why taste, branding, human judgment, and imperfection still hold real value. This episode is a must-listen for producers, composers, and engineers interested in sync, advertising, international music work, and building sustainable creative careers through relationships rather than hype. The episode closes with a recap on outreach, research, and telling a clear story when you pitch, along with a direct contact point for producers who want to reach out: info@bwcatmusic.com
You can listen to Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want online on Radio and Podcast. Open the player on this page to stream the available audio.
Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want is an episode from Mixing Music | Music Production, Audio Engineering, & Music Business by @DeeKeiMixes.
This episode is 85:21 long.
This episode was published on Feb 3, 2026.
Yes. Use the heart button on the episode page to add it to your favorite episodes list.
Yes. This page shows related episodes from Mixing Music | Music Production, Audio Engineering, & Music Business when more episodes are available from the podcast feed.
You can listen to Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want on this page when the episode audio is available from the podcast feed.
Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want is from Mixing Music | Music Production, Audio Engineering, & Music Business by @DeeKeiMixes.
Published Feb 3, 2026 and 85:21 long