
"DIATONIC: 'The One' Performed Solo"
Mar 22, 2007
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Here is track 2, which has the music theory behind the minor-blues sound you'll master in the Heart-of-the-Blues#2 . The minor-tone blues is the most common way of playing blues solos in rock, blues and jazz. Every Ameri...
2-MUSIC THEORY#2: Note-for-Note Theory Behind Alure of the "Minor Blues" in our Song SingleShot is an episode from GuitarMedia by BluesGuitarist.Org. Here is track 2, which has the music theory behind the minor-blues sound you'll master in...
This episode belongs to GuitarMedia.
Audio availability depends on the podcast feed.
Published Sep 5, 2006.
Here is track 2, which has the music theory behind the minor-blues sound you'll master in the Heart-of-the-Blues#2 . The minor-tone blues is the most common way of playing blues solos in rock, blues and jazz. Every American musician has a slow blues in their repreatoire, and after the Heart-of-the-Blues you will too. Each volume gives you another minor-tone lick, and here in volume number two this Music Theory track explains--note-for-note--how the first lick in Single Shot illustrates the minor blues sound. The next track to listen to is "3-WHOLE BAND" which is the most important track, since it has the whole band playing this SingleShot lick. This is what you will sound like (jamming with our backup band) after mastering Single Shot in the Heart-of-the-Blues.
You can listen to 2-MUSIC THEORY#2: Note-for-Note Theory Behind Alure of the "Minor Blues" in our Song SingleShot online on Radio and Podcast. Open the player on this page to stream the available audio.
2-MUSIC THEORY#2: Note-for-Note Theory Behind Alure of the "Minor Blues" in our Song SingleShot is an episode from GuitarMedia by BluesGuitarist.Org.
The episode duration depends on the source podcast feed and may not always be available.
This episode was published on Sep 5, 2006.
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