Cinematography of Love Story with Jason McCormick
Cinematographer Jason McCormick returns to Go Creative Show to discuss his work on the FX series Love Story , beginning with the story of Jo...
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Good Luck, Have Fun, Don't Die Cinematography with James Whitaker
In this episode of the Go Creative Show, cinematographer James Whitaker discusses his work on the film 'Good Luck, Have Fun, Don't Die,' dir...
What Puppetry Teaches Filmmakers with Andrew G Cooper
What can puppetry teach filmmakers about acting, storytelling, and cinematography? In this episode of The Go Creative Show , host Ben Consol...
The Bear's Filmmaking Secrets with Cinematographer Drew Wehde
Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos...
Filming Black Mirror's Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire)
In this episode of the Go Creative Show, cinematographer Stephan Pehrsson returns to discuss his visual approach to the latest Black Mirror...
Filming Incredible Oners with Adam Newport-Berra of The Studio
The Art of the Oner: In this episode of the Go Creative Show, acclaimed cinematographer Adam Newport-Berra joins us to discuss his work on t...
AI in Filmmaking: The Good, The Bad, and What You Really Need to Know with Caleb Ward
Are filmmakers right to fear AI? Not exactly. In this episode, Ben Consoli sits down with Caleb Ward, co-founder of Curious Refuge , the lea...
Directing & Shooting Severance Season 2 with Jessica Lee Gagné
In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode...
Anora Cinematographer Drew Daniels on Embracing Imperfection and Shooting on Film
In this episode of the Go Creative Show , cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in s...
The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960's era film
In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the...
Nosferatu Cinematography Secrets: Jarin Blaschke on Crafting a Haunting Look with Robert Eggers
In this episode of the Go Creative Show, cinematographer Jarin Blaschke discusses his work on the new film Nosferatu, reflecting on his jour...
WICKED Cinematography and Return of Practical Effects with Alice Brooks
In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic,...
Best Organization Tools for Filmmakers, New FCPX, Nosferatu Reactions
In this episode of the Go Creative Show, hosts Ben Consoli and Connor Crosby celebrate the recent rebranding of BC Media Productions and emp...
American Sports Story Aaron Hernandez Cinematography with Elie Smolkin
In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series 'American Spor...
The Cinematography of Monsters: The Lyle and Eric Menendez Story with Jason McCormick
In this episode of the Go Creative Show, host Ben Consoli welcomes back Jason McCormick, the director of photography for 'Monsters: The Lyle...
Immersive Filmmaking, Joker 2 Review, Meta Movie Gen and AI tools for Video Production
Summary In this episode of the Go Creative Show, Ben Consoli and Connor Crosby discuss the latest happenings in the film industry, including...
Honing Your Producer Skills, Tips to Find Crew Around The World, Why You Need Specialized Demo Reels
In this episode of The Go Creative Show, Ben and Connor dive into the art of building production crews across different locations. They shar...
Is iPhone 16 the Next Cinema Camera, Tech's Impact on Filmmaking, Apologies and Reintroductions
In this episode of The Go Creative Show, host Ben Consoli and producer Connor Crosby discuss the recent hiatus of the podcast, their busy sc...
Baby Reindeer Cinematography (with Krzysztof Trojnar) GCS331
Cinematographer Krzysztof Trojnar discusses his work on the Netflix show Baby Reindeer, sharing insights into the visual approach, using the...
Winning Time Season 2 Cinematography (with Todd Banhazl, Ricardo Diaz, and John Matysiak) GCS330
WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use o...