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Bollywood Weekly is India's first ever podcast dedicated to Bollywood. Every week, we review the latest big theatrical release, and also provide views, opinions and random observations about...
In part 2, host Aditya Pisharody and the panel continue to discuss the OTT streaming space - including their favourite underrated YouTube ge...
In part 1, Aditya and the panel discuss some of their favourite shows streaming on OTT platforms - both good and bad. From the obvious choic...
As part of Bollywood Weekly's revamped live format on Clubhouse, host Aditya Pisharody got the whole gang together - with podcast regulars a...
Bollywood Weekly is now on Clubhouse! We will be broadcasting a special live session on Sunday Feb 21st, 730pm IST / 10pm SGT / 9am EST - to...
Host Aditya Pisharody and Satyen Rao descend into the depths of Paatal Lok...and come out the other side immensely satisfied. A slick, inten...
Host Aditya Pisharody is joined by Shaaz and Mansha to discuss the AR Rahman 'Masakali' remake controversy, and the whole advent of remakes...
(Part 1 of 2) Host Aditya Pisharody is joined by pod veterans Shaaz and Mansha - as they take their mind off lockdowns and coronavirus by wa...
Is Hrithik Roshan and Tiger Shroff's WAR actually an ode to love? Host Aditya Pisharody is joined by Satyen and Devika to de-construct the u...
Why Om Shanti Om is the perfect thing to watch while in self-quarantine - entertaining, nostalgic and possibly even more relevant today than...
<Skip to 9:06 for the review of Mard Ko Dard Nahi Hota> Part 1 - we address our sporadic publishing schedule, and present our plan to...
Aditya Pisharody and Satyen Rao re-live the scarcely believable scenes of Housefull 4 - as Satyen tries (in vain) to justify the existence o...
Why host Aditya Pisharody thinks that 'The Sky is Pink' is possibly the best film of 2019, despite what the critics will have you believe. A...
Arjun kare toh theek, Kabir kare toh character dheela hai? Host Aditya Pisharody welcomes back Bharat Misra to discuss why Kabir Singh, desp...
Host Aditya Pisharody invites self-confessed SRK fan Bharat Misra to try and make sense of Zero - a frankly puzzling film. Along the way, th...
Bollywood Weekly receives it's first ever Chinese guest on the show as the pod revisits Karwaan (2018) - and looks back on why it fell short...
A movie that tried to do so much that it didn't do anything - we run the rule over 'Kalank', a 90s SRK film by Dharma masquerading as a wann...
This week, the pod ponders the mysteries of Bollywood - specifically why the makers of Badla chose to abandon a solid whodunnit and go full...
On this week's show, we discuss why Gully Boy affirms Zoya Akhtar's status as the most talented filmmaker in Bollywood currently - as well a...
The podcast is back! We discuss the 2 first releases of the year, Accidental PM and Uri - two movies with the same large objective but oppos...
Why Sui Dhaaga grows on you as you keep watching, and could have been a much better film with a tighter first half. Also, we discuss 'Thugs...
Why Stree is a triumph of matching good, progressive content with wholesome entertainment - powered by brilliant dialogues and the enduring...
Gold is a simplistic movie of cliches - but it's a good watch. Strong performances and a beautifully nuanced treatment of India-Pakistan rel...
Was there really any point in re-making Sairat? Dhadak adds a whole lot of glamour, but completely sucks out all the emotion of the original...
Is 'Sanju' simply the untold, inside story of a complicated life of regret and bad choices? Or is it a problematic and dangerous whitewashin...
On this week's episode: 1. Why Lust Stories - despite it's clickbait title - is more just about human relationships, love and affection. Kar...
Why Kaala is a must-watch - in any language - and how Pa. Ranjith successfully manages to make 2 films co-exist in one: a typical Rajnikanth...
DISCLAIMER: This episode contains SPOILERS! But it's still worth listening to because if you haven't seen these films yet, you aren't going...
Nearly 1 month ago, our host Aditya sat down with regular panelist Satyen to discuss the joys of Padman (minus Sonam Kapoor), the frustratin...
Ashwin Chhabria drops by for a wide-ranging chat featuring: Why the simplicity of Tumhari Sulu, and Vidya Balan's sheer force of will, power...
Bollywood Weekly is back from hiatus, and we have an action-packed episode. 1) Why Ittefaq is a solid detective story, held aloft by Akshaye...
Why Secret Superstar may just be the best film of 2017 as Zaira Wasim's powerhouse performance is ably supported by Aamir Khan and the rest....
On a special edition of Bollywood Weekly, we catch up with Anupama Chopra - renowned film critic and festival director at the MAMI Mumbai Fi...
Why Newton is a fiercely patriotic film that should be made tax-free. We discuss a wide-ranging array of topics from Rajkummar Rao and Panka...
An inconsistent, but ultimately enjoyable affair, 'Shubh Mangal Savdhan' will definitely get you up and running. Underpinned by fantastic pe...
Why Lipstick Under My Burkha, despite its numerous flaws, had enough going for it to be a significant film. This is the first in a new Bolly...
The pod is back, and this week we celebrate the sweetness and simplicity of Bareilly ki Barfi, held aloft by acting masterclasses from Rajku...
1) Toilet: Ek Prem Katha is problematic in so many ways, most significantly reinforcing stalking and male privilege in a film about empoweri...
Why Harry Met Sejal...is not a question we have an answer to - and to be honest we wish they didn't. For the first time, Imtiaz Ali has let...
Why Jagga Jasoos should be applauded for its vision and technical brilliance, despite faltering and losing its way in the 2nd half. In defen...
1) Why Tubelight, contrary to critics and popular opinion, is actually a well-made film - let down solely by the insufferable presence of Sa...
Why Bank Chor was nothing more than an extended series of Whatsapp jokes brought to life Trailer round-up where Nawazuddin is in everything...
On this week's show - we discuss why Raabta is possibly the worst movie of 2017, and wonder how otherwise competent writers could create som...
Everything that went wrong with Mohit Suri's Half Girlfriend, from fake British accents to CGI Bill Gates - but why the hate towards it has...
Why Sarkar 3 should be the last film Ram Gopal Verma makes in a long, long time; as well as our look ahead to Sachin: A Billion Dreams and t...
Why Meri Pyaari Bindu was probably better off as a short film, but still has enough moments to make it worth watching. Plus, we discuss Mane...
Our breakdown and analysis of how Baahubali 2 destroyed every box office record there is, plus trailer round-up featuring Raabta, Half Girlf...
Bollywood Weekly - Podcast #37 How can we describe Sultan? By Salman standards - it was better than usual. By normal standards - it was Salm...
Why Neeraj Pandey's Naam Shabana is badly let down by the quality of it's writing, which leaves it mired in mediocrity. Plus lots of other f...
On this week's episode we cover a wide range of topics including a first-hand account of Abbas-Mustan's Machine, why Phillauri was entertain...
Why Ranveer Singh's energy is not enough to save Adi Chopra's latest - despite some fun moments, seems like the writers were too #Befikre to...