Acrosynaxis 030 ℗ & © 2006 A.J. Ptak

Liner notes: Acrosynaxis (2006) [2:11] Acrosynaxis, Anthony Ptak. Utilizing the theremin principle of interference to feed back into itself an exponential deconstruction of the instrument, the frequency of oscillation along a unified temporal axis, reflects a recursive bridging of distance in a soundscape of interference. Much like the 1000th of a second captured image of Warrick's hovering hummingbird, or the Kino-Glaz reality 24 times per second delineated by Dziga Vertov, or John Cage's Future of Music Credo which alludes to Beethoven as a material operating at 50 times per second and rejects imitative use of the theremin. This electro-acousmatic work concentrates on sound as a carrier of information. - AJ Ptak

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Acrosynaxis 030 ℗ & © 2006 A.J. Ptak is an episode from Axoxnxs Podcast by axoxnxs™ Anthony Ptak.

This episode is 00:02:11 long.

This episode was published on Oct 10, 2016.

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