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Avid Tutorials Podcast: Improve your skills with Avid Media Composer, XPress or Symphony with this weekly podcast! (SD version)
If you're familiar with Lightroom, you know what Split Toning is: pushing the shadows and highlights of a shot towards different hues. Who s...
It's almost Christmas and I did the Santa last year . What's left? Snow! So this week, we're going to add snow to an image and we'll use a c...
Starting January 1st, I'll have a new job. While that's a good thing, it also means a lot more work. So more work plus wanting to spend time...
This week, we'll continue creating a semi-transparent video progress bar as you know them from Youtube et. al. Last week, we created the bac...
This week and next, we'll create a semi-transparent video progress bar as you know them from Youtube et. al. We'll create the elements in Ma...
This week, another viewer suggestion: We'll create the high-contrast, saturated look that is common to many sports trailers. We'll also play...
This week, we'll make footage look like it has been shot with a surveillance camera by distorting and degrading it. Plus, when we switch "ca...
In this last episode in the audio series, I'll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (l...
This week, we'll look into Avid's EQ Tool. It's pretty basic (look for more powerful EQs in the AudioSuite), so'll we'll cover what it can a...
There's more than one way to manipulate audio in Media Composer (no surprise there, there's more than one way to do pretty much anything in...
In the fourth installment on our series on audio, we'll take an in-depth look at the audio mixer, going through all options that are availab...
This week, we'll make some very simple audio edits, create transitions, check out waveforms and get rid of those horrid pops that are someti...
This week's episode is all about stereo tracks: How to create them, how to get stuff into them, how to get rid of them again when the ugly b...
I was asked by a lot of people to do tutorials on audio editing, so this week I'll start a series on exactly that. This first episode deals...
So you want to change the skin tones in a shot by doing a secondary color correction. You're using the methods outlined in ASC #16 (and of c...
The way Media Composer processes effects has some weird side-effects: Sometimes an effect applied to an upper video track also affects the v...
Everyone needs a summer break, right? (Did you notice how I didn’t use the word “deserve”?) So the Avid Screencast will be on summer hiatus...
After last week's look into Avid's Pan & Zoom effect, this week we check out the Pan & Zoom effect that is included in Boris Continuum Compl...
I've had several requests for tutorials on Pan and Zoom, so this week and next, this will be out topic. This week, we'll look into Avid's ow...
With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I'll s...
I'm finally on Media Composer 5, so in this week's episode, I'll introduce you to the most obvious new features such as the Smart Tools, Rea...
I was asked if it was possible to get the Glow Effect without Boris Continuum Complete. Had I been a smart-ass, I would have replied: "Sure,...
Nothing fancy, but a solid workhorse: Want to make sure that your sequence is complying with technical broadcast standards? The Safe Color L...
In this episode, we'll transition into a title by starting with a blur and then slowly letting it focus. To do this we'll have to look into...
This week's episode features a request from Youtube user Instantslugger, who wanted to know how to do a curtain transition within Media Comp...
Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we'll d...
No show this week, so I thought I'd give you some food for thought. Paul Sampson created a great document listing a bunch of useful Avid Con...
In this episode, we'll create a nice Glow transition using a Boris Continuum Complete Effect that ships with Media Composer. SHOW NOTES Chec...
In the final installment of the Color Correction series, we'll highlight parts of a shot by using a vignette. Then, I'll go through some Col...
In this episode, we'll continue matching one shot to another. We'll do it manually, and we'll use Avid's curves. SHOW NOTES If you really wa...
One of the most common tasks when doing color correction is matching two shots. So this week and next, we'll do exactly that. As always, I l...
In last week's episode, we chnaged the color balance of a shot with curves. This week we'll do the same thing with the color wheels. SHOW NO...
In this episode, we'll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look dece...
In this episode, we'll manipuate the basic contrast of an image, setting the black and white levels and gamma. We'll do this in two differen...
In this episode, we'll lay the groundwork for episodes to come, talking about scopes, what they mean and why you should always pay attention...
In this episode, we'll continue our deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We'll cover the fol...
In this episode, we'll deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We'll cover the basics in this e...
This is the fifth of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this e...
The big star of this episode is the my audio interface that provides great sound quality. Listen to the noise! Don't hear it? See? In other...
So you have a bunch of subtitles or lower thirds to do. They all look the same, except for the contents. You're not seriously considering do...
In this episode, we'll create a secondary color correction in Avid Media Composer. Secondary color correction is applying one correction to...
This is the fourth of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this...
Sometimes the good, old title with static text just doesn't cut it. In this episode, we'll make the text be another layer of video. Check ou...
Ever on an editing system that you can't install software on? And all they've got for image manipulation is MS Paint? Get stuff done with po...
In this episode, we'll make a sequence of photos visually interesting by animating them into a slideshow of stacked photos that slowly fade...
This is the third of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this e...
Sometimes, you need to obscure the face of a person, be it for legal or aesthetic reasons. In this episode, we'll do just that using a very...
This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this...
This is the first of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this e...
In this episode, we'll create a high-contrast, colorized look to an image -- simply because it looks cool. It's a great way to introduce som...