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Guy Benfield: MAXIMUM COMMUNE

ART TALK

Jul 23, 200719:46Arts

Maximum Commune (Ugly Business... on the basis of disbelief.) Talking with Australian New York based artist Guy Benfield, about his performance installation work Maximum Commune, part of the Aftermath: Performance Instal...

About This Episode

Guy Benfield: MAXIMUM COMMUNE is an episode from ART TALK. Maximum Commune (Ugly Business... on the basis of disbelief.) Talking with Australian New York based artist Guy Benfield, about his performance installation work Maximum Commune, pa...

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Episode Details

Published Jul 23, 2007, 19:46 long, audio available.

Questions About This Episode

What is Guy Benfield: MAXIMUM COMMUNE about?

Maximum Commune (Ugly Business... on the basis of disbelief.) Talking with Australian New York based artist Guy Benfield, about his performance installation work Maximum Commune, part of the Aftermath: Performance Installation series curated by Blair French at Sydney's ART SPACE gallery, right next to the harbour. With the USS Kitty Hawk moored across the street, Guy walked and talked us through his unique work and world. "Maximum Commune... utilises the cultural model of the 'pavilion' juxtaposed with tropes of modernist architecture, examples of hand-built alternative Zome housing originating from Southern California in the 1960s and collectives such as Drop City. Within these structures, Guy Benfield performs a series of actions, 'droppings' or situational episodes that re-animate tropes that were once declared obsolete obsolete, such as ritual, live action painting in the genre of george mathieu, the 'Art informal' movement in France, and the Japanese actionist painting movement - Gutai group. In these performance scenarios Benfield investigates the West Coast Funk Ceramic movement of the late sixties, pottery as an expressionist dialogue and the bourgeois bohemian lifestyle he experienced while growing up insuburban Sydney." The Aftermath: Performance Installation series provides a critical and public focus to the complex relationship of performance to installation art, sharing a genealogy, as they do, in early conceptual and post-object art. Aftermath centres on the installation 'aftermath' of performance, or conversely, performance as a strategy for creation of material environments - the bleeding back and forth of active models of performance and its post-life.Each week one of six artists participating from Australia and abroad will undertake a performance work in one of the Artspace galleries resulting in an installation 'aftermath' and collectively creating a dynamic, rolling set of relationships between changing spaces. Art Space link: More images on the Art Talk Blog:

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Which podcast is Guy Benfield: MAXIMUM COMMUNE from?

Guy Benfield: MAXIMUM COMMUNE is an episode from ART TALK.

How long is this episode?

This episode is 19:46 long.

When was this episode published?

This episode was published on Jul 23, 2007.

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Where can I listen to Guy Benfield: MAXIMUM COMMUNE?

You can listen to Guy Benfield: MAXIMUM COMMUNE on this page when the episode audio is available from the podcast feed.

Which podcast is this episode from?

Guy Benfield: MAXIMUM COMMUNE is from ART TALK.

What are the episode details?

Published Jul 23, 2007 and 19:46 long