Haydn Green on ten years of Hear My Eyes and conjuring sensory experiences by combining films with new live music compositions

Haydn Green has been the creative force of Hear My Eyes , a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes , Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema. Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood , The Murlocs putting their spin on Gregor Jordan's Two Hands , while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper . For its tenth anniversary, Haydn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut). Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates: Melbourne: Feb 25-28, Hamer Hall Sydney: March 7, City Recital Hall Canberra: March 18-19, Canberra Theatre Sign up for the latest interviews, reviews, and more via Hosted on Acast. See acast.com/privacy for more information.

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Haydn Green on ten years of Hear My Eyes and conjuring sensory experiences by combining films with new live music compositions is an episode from AB Film Review & The Last New Wave by Andrew F Peirce.

This episode is 34:49 long.

This episode was published on Feb 16, 2026.

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